Review: Shiva Baby

Shiva Baby (2021)
Writer & Director: Emma Seligman

Shiva Baby looks and sounds like a comedy but it’s actually a horror movie about being in your twenties, with a surprising vein of emotion. The film centers on Danielle (Rachel Sennott), a college senior whose Gender Studies major makes her parents anxious as it doesn’t seem to correlate with any specific career. They also don’t like — or even totally believe — that Danielle is bisexual. When Danielle joins her parents for the shiva of a family friend, they coach her about what to say about her future prospects and to be on the lookout for potential job opportunities. It’s funny and awkward and soul-crushing for Danielle, who already feels guilty for her lack of ambition. Danielle also has a secret: she’s a sugar baby, a young woman who is paid for her sexual favors. She tells her parents, who support her financially, that she earns extra money by babysitting; she tells her sugar daddy that she needs the money to pay for college. When her sugar daddy, Max (Danny Deferrari), turns out to be a guest at the shiva, Danielle realizes that the lies she’s been telling everyone are about to be exposed. To make things even more complicated, her ex-girlfriend, Maya (Molly Gordon), is also in attendance.

Continue reading “Review: Shiva Baby”

Revisiting E.T.

E.T. (1982)
Director: Steven Spielburg
Writer: Melissa Mathieson

Last night I watched E.T. with my two children, aged 3 and 8, for family movie night. I watched this movie a lot as a kid, but I don’t think I ever saw it in the theater. Instead I had a VHS tape of it, recorded from when it was on TV. There are certain scenes from E.T. that are like my own childhood memories — like in the still above, when Gertie dresses E.T. in her clothes. And there’s another scene when E.T. hides in the closet full of stuffed animals, because he’s scared. I loved that. The set design in this movie is impressively detailed and gives the sense of what it’s like to be in a house full of kids. Everything is messy but the objects are also very beloved and special. The house also helps to tell the story: you get the sense that everything is a bit more chaotic than normal because the parents have just separated. The mother is barely holding it together as she works full time and parents three children, and her housekeeping is a place where she has decided to let things go. That’s how E.T. manages to live there without her noticing.

Continue reading “Revisiting E.T.”

Review: All the Light in the Sky

All the Light in the Sky (2013)
Director: Joe Swanberg
Writers: Jane Adams & Joe Swanberg

I watched this mellow movie a few weeks ago and I’ve been thinking about it ever since. It’s a showcase for Jane Adams, an actor who often seems like the most fully realized character in any scene, even when she’s on for just a minute or two. I think she first caught my eye in Eternal Sunshine of the Spotless Mind, where she plays the beleaguered wife of the protagonist’s friend. She only has a couple lines but she suggests an entire life and marriage. She’s one of those character actors who, once you become aware of her, you begin to see everywhere. She’s been working steadily since the late 1980s, when she was a student at Juilliard. Looking at her IMDB, it looks like she supplemented a theater career with bit parts in film and TV, appearing in shows like Family Ties and Frasier. I associate her most with indie directors, especially Joe Swanberg, who directed this movie and is a frequent collaborator.

Continue reading “Review: All the Light in the Sky”

Review: Test Pattern

Test Pattern (2021)
Writer & Director Shatara Michelle Ford

When a woman is the victim of rape, she is advised to act quickly in its aftermath, hurrying to a hospital to undergo a forensic examination. Instead of sleeping or showering, a woman who has been sexually assaulted should, ideally, go the emergency room and consult with a nurse, who will collect DNA samples from her body. Afterwards, she will meet with a police offer for questioning. It’s a psychologically harrowing experience in and of itself, and it’s easy to understand why many women choose not to report their rapes. Test Pattern tells the story one woman, Renesha, who does, and what it costs her and her boyfriend Evan, who accompanies her on her quest to obtain proper medical care. By focusing on the logistics of reporting a rape, rather than the assault itself, writer-director Shatara Michelle Ford’s powerful debut feature shows a healthcare system that ignores the reality of sexual violence, and in doing so, allows it to continue unchecked. 

Continue reading “Review: Test Pattern”

Review: Little Joe

Little Joe (2019)
Writer & Director: Jessica Hausner

I was initially turned off of this movie –and maybe you were, too — when it first appeared in the U.S. in late 2019. It got mixed reviews, including a lot of pans, and I lost track of it in the rush of end-of-the-year releases. I was reminded of when it turned up on Pedro Almodovar’s list of the best movies of 2020 and then, when I saw that it was streaming on Hulu, I decided to give it a try, and I’m so glad I did. It’s an eerie story about the ways humans try to control the natural world, and at first it seems like it’s going to be a high-concept commentary on the danger of GMOS. But then it turns into a kind of meditation on the nature of perception and reality. I can see why a lot of viewers would find it frustrating, but I would have watched it for the color scheme alone.

Continue reading “Review: Little Joe”

Review: The Dig

The Dig (2021)
Director: Simon Stone
Writer: Moira Buffini, based on a novel by John Preston

With its dramatic cinematography, starry cast, and subtle art direction, The Dig is so smooth and elegant that it sometimes feels lightweight, despite its heavy themes. Set in 1939 in the English countryside, it tells the story of a remarkable archeological discovery on private land. It’s also a portrait of a grieving widow and a country on the verge of war. While this isn’t the most suspenseful movie you’ll ever see, its themes deepen as the story unfolds. In the final act, there was some Malick-like camerawork that had me thinking about the sweep of time and the desperate sadness of war, but in general, I was reminded of high-production television shows like The Crown. The truth is, I watched this over two nights, stopping it halfway through, as if it were a television show, and while I try to avoid doing that, I thought that viewing method suited this movie just fine, and maybe even enhanced it.

Continue reading “Review: The Dig”

Everyone I Know is Confused About Where to Find and Watch New Movies

While Hollywood fights the streaming wars, almost everyone I know is completely and utterly confused about what is available to watch online and where to find it. Even I have trouble finding things, and while I would never argue that I’m particularly in-the-know, I do follow industry news, and I’m in touch with a variety of publicists about new releases. I also keep a running list of upcoming movies directed by women, which requires some research and digging. And yet, it took me ten minutes to figure out where I can watch Julie Delpy’s new movie, My Zoe, which releases in theaters February 26. I’m still confused about whether or not I can see it at home. It doesn’t look like it’s playing in virtual cinemas, and there’s no information about when and where it might be available for rental or streaming. I’m interested in reviewing this movie, but I’m not sure what the point is, if no one will be able to watch it. It would make more sense to wait until the movie has a streaming date, but what is the streaming date? Why doesn’t it say on the movie’s website? Is it that they don’t yet have a streaming date and/or platform? Or are they holding back the information because they feel it would be inhibiting to someone who is considering seeing it in theaters?

Continue reading “Everyone I Know is Confused About Where to Find and Watch New Movies”

Review: The World To Come

The World To Come (2021)
Director: Mona Fastvold

I’ve yet to see Vanessa Kirby on a big screen, but I know she’s a movie star. Over the past year of pandemic home viewing, she is the actor who has jumped off my living room TV. Whether she’s playing a young Princess Margaret (The Crown), a grieving American woman in contemporary Boston (Pieces of a Woman), or a foreign correspondent in 1930s Moscow (Mr. Jones), she is the actor who captivates you most with her resonant voice and direct gaze. She has done it again in The World to Come, bringing a much-needed liveliness to a film that sometimes felt claustrophobic and glum. 

Continue reading “Review: The World To Come”

Review: John Lewis: Good Trouble

John Lewis: Good Trouble (2020)
Director: Dawn Porter

My third-grader is writing a report on John Lewis for Black History Month, so Dawn Porter’s Good Trouble was an obvious choice for family movie night. This documentary came out over the summer, just a few weeks before Lewis passed away. Lewis served as a representative for Georgia’s fifth district from 1987-2020, and it was interesting to review his career in this political moment, after Georgia has elected two Democratic senators for the first time in decades. For much of the country, Georgia turning blue felt like a huge surprise, but for Lewis and his supporters, it was the obvious — if not quite inevitable — result of years of grass roots organization to grow the Democratic party and increase access to the polls. Although Lewis is probably best known for his extraordinary example of nonviolent resistance during the marches in Selma, when he and other activists were brutally attacked by state troopers, Porter’s documentary shows how much of his legacy comes from the work he did in the decades that followed the Civil Rights Era, both as a legislator and as a mentor to budding activists and Democratic leaders.

Continue reading “Review: John Lewis: Good Trouble”

Review: Herself

Herself (2021)
Director: Phyllida Lloyd
Writers: Clare Dunne & Malcom Campbell

I’m calling it: Herself is the first movie of the Biden Era. It’s empathetic, kind, and emotionally direct. It’s the kind of movie where characters say things like, “you impress me so much.” It would not have been out of place for anyone to remark, “Here’s the thing about life: there are some days when we need a hand and there are other days when we’re called upon to lend one.” Set in Ireland, Herself centers on a single mother, Sandra, who needs help starting over after leaving an abusive marriage. Her employer, friends, and acquaintances quickly come to her aid, volunteering to help her build a house for her and her two young children. It sounds corny, but isn’t in the least, because director Phyllida Lloyd makes room for the complexity of abusive relationships, as well as the lingering psychological and physical trauma. This isn’t a story where everything is okay in the end, but it is one where people are decent and kind to one another, and do their best to fix what is broken and heal one another.

Continue reading “Review: Herself”