As Usual, Oscar Nominations Include Few Women

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I was struggling to find a photo for this post, so I decided to find a happy one, of a woman directing a movie–Patty Jenkins, with Gal Gadot, on the set of Wonder Woman. 

This was the other image I was considering:

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As usual the Oscar Nominations had only a handful of female nominees. There were only four categories (out of twenty) in which women achieved parity or had the majority of nominations. Many categories did not include any women.

Continue reading “As Usual, Oscar Nominations Include Few Women”

My Favorite Movies Written and Directed by Women in 2018

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This post is long overdue. First I got sucked into a holiday vortex and then all the viruses came to roost in our household. The little one would get sick, then the bigger one, then the bigger one, then the little one, then the little one . . . meanwhile, I got some variation of everything. I’ve done a lot of reading but have barely watched any movies. I have, however, had a chance to think back on the movies I saw last year.

If you’ve been following this blog, you know that for the past year I’ve made a special effort to see movies written or directed by women. After the Harvey Weinstein revelations, I felt so sickened by the movie industry that I wanted to change my viewing habits to see more films made by women—not only to support women, but for my own viewing pleasure.

In 2017, before I made any special effort to see women-made films, only 9 of the 28 movies I saw were written or directed by women. This year, I watched 43 movies, a mix of old and new, but mostly new. Of those 43 films, 29 were written or directed by women. So, that’s a big improvement over last year! Still, given that I only saw around 30 movies written or directed by women, it seems a little too easy do a top ten list of film. There’s not a lot of discernment when you’re choosing the top third. Instead, I’ve decided to make two top three lists: Top Three Films Directed by Women, and Top Three Films Written by Women.

As I was putting together these lists, I asked myself how much they would differ from a top three list of all movies, regardless of gender, and I will admit that First Reformed, Roma, and Sorry To Bother You might have edged out some of the films on these lists. But, these films would definitely make any of my top ten lists—and that’s one of the reasons I limited myself to three films. One last caveat: I never got to see Happy As Lazzarro, Zama, and Let the Sunshine In, and judging from the critical response, these were great films that might have also made the list.

Continue reading “My Favorite Movies Written and Directed by Women in 2018”

Review: SHIRKERS

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Writer & Director: Sandi Tan

In 1992, at age 19, novelist Sandi Tan wrote and starred in Shirkers, a feature-length road movie shot on the streets of SingaporeThe title was inspired by Tan’s idea that in life, there were people who were neither movers nor shakers, but shirkers—those who evade responsibility and duty, escaping the confines of society. It starred Tan as S., a murderer and kidnapper on a mysterious mission to save children. One of Tan’s points of inspiration was J.D. Salinger’s The Catcher in the Rye. The plot didn’t matter as much as the mood, which Tan cultivated through carefully chosen locations, props, costumes, and music. Tan hired a friend to compose a soundtrack on his electric guitar, and hand-made many of her props, including a colorful board game that S. uses to plot her kidnappings. S.’s costume was a pink sailor shirt and blue knee-length shorts; she carried an old-fashioned camera on a strap, as well as a leather suitcase. “When I was eighteen,” Tan explains, “I thought you found freedom by building worlds inside your head.”

To read more follow this link to The Common

My Weekend with the Gyllenhaals

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I spent the weekend watching two new movies that star the Gyllenhaal siblings: The Kindergarten Teacher, starring Maggie and Wildlife, with Jake. In both films, I thought the Gyllenhaals were especially well cast. I know they aren’t to everyone’s taste — and when I got home my husband and I got into a debate about whether or not Jake Gyllenhaal is actually a good actor — but I found them both to be pretty magnetic and appealingly odd. Neither really melt into a role and both have a way of throwing things off-kilter. So, they need the right movies for their talent.

Continue reading “My Weekend with the Gyllenhaals”

Lights, Camera, Alice: a new children’s book about Alice Guy

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I came across this new children’s book when I was doing a library search for Alice Guy Blaché’s memoirs, which, by the way, are very hard to get a hold of. (More on that in another post, as this blog slowly morphs into a Alice Guy Blaché research site.)

Lights! Camera! Alice! is what my 6-year-old son would call a “true-story book.” It tells Blaché’s biography with a high degree of historical accuracy (with an index of sources) and doesn’t embellish, though it does have to skip over a lot of details as it jumps through times. There are a couple cinematic touches throughout, with title cards to announce different periods in Alice’s life and a newspaper montage to show the outside world events. The illustrations are charming with a color palette that is subtly reminiscent of old movies.  Continue reading “Lights, Camera, Alice: a new children’s book about Alice Guy”

RBG = Wonder Woman

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Directors: Julie Cohen and Betsy West

Last week I saw A Star Is Born, and I was told by many people to bring tissues. But I didn’t shed a tear watching that movie. Instead, it was a documentary about an 85-year-old Supreme Court Justice that brought the tears on. There were so many things I found moving, starting from Bader Ginsburg’s close relationship with her mother, who died when Ruth was 17, to her long marriage to Marty Ginsburg, a man who realized, from pretty much the first date, that he had met a person of unusual intelligence and strength.

She would need her strength in the early years of her marriage, when she was one of five women at Harvard Law. Her presence in class was suspicious, especially since she was married to a fellow classmate — why did she need to be a lawyer, too? The Dean hosted the female students for a special welcoming dinner, asking them: why did they think they deserved to take the spot of a man who was just as qualified? Ruth put her head down and made the Law Review. She also had a baby in her first year of law school. Oh, and Marty got cancer. Yes. He got cancer. Guess who cared for him, the baby, and graduated at the top of her class?  Continue reading “RBG = Wonder Woman”

Falling Leaves and O. Henry

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The other day I discovered, quite by accident, that Alice Guy Blaché’s short film, “Falling Leaves” is based on the O. Henry story “The Last Leaf.” I was reading Meg Wolitzer’s editor’s introduction to 2017’s Best American Short Stories, and she mentioned that her favorite O. Henry story was about an artist who convinces a girl suffering from pneumonia that she will survive. The girl believes that she will die when the last leaf falls, so the artists paints an incredibly life-like leaf outside her window. It never falls, and the girl survives through sheer belief. But — and here’s the O. Henry twist — the artist dies from standing out in the cold and taking all the time to paint the leaf.

Initially I thought, hmm, did O. Henry see the Blaché film about the girl who ties leaves to a tree in a vain effort to save her sister, who is dying of tuberculosis? But I checked the dates and O. Henry’s story was published in 1907 while Blaché’s film was released in 1912:

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Then I did some googling and sure enough, Wikipedia already has it covered:

The plot of Falling Leaves owes elements to the O. Henry short story “The Last Leaf” (1907). The child hero is a recurring theme in Guy-Blaché films; the first film produced by Solax, A Child’s Sacrifice (1910), which also starred Magda Foy, is another example.

It’s just a little thing, but I thought it was a fascinating glimpse into Blaché’s creative process. By the way, you can watch the original film, “Falling Leaves” for free on Kanopy as part of the program, “Three Films by Alice Guy Blaché.”