Movies I Watched on Vacation

I’m back from a two-week vacation in Maine where I swam in the ocean every day, ate lobster rolls, hiked through moss-covered forests, and, on the nights when it was too cloudy to look at the stars, I watched a few movies. Here are a few quick thoughts, and I’ll be back to full reviews next week.

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Review: Lorelei

Lorelei (2021)
Written & Directed by Sabrina Doyle

Lorelei is a well-meaning film set in rural Oregon about a man trying to start his life over after a 15 years in prison. Despite solid performances throughout, and a well-researched story, the movie never really rose above its earnest intentions. I see this a lot in debut features — and debut novels, too — especially when the director is trying to work in a realistic mode. I give writer and director Sabrina Doyle credit for creating complex characters and for a certain optimism at the core of her storytelling. But even though I was rooting for the film, it got bogged it down by its many plot elements, and lacked a certain wit and levity. There was an overall lack of cohesion that made it slow going, especially in the final act.

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Review: An Easy Girl

An Easy Girl (2019)
Written & Directed by Rebecca Zlotowski

Right before I watched An Easy Girl, I happened to be listening to the late Anthony Bourdain on Terry Gross. He read a snippet from his most recent memoir, describing how restaurant workers often see the worst of people—when they are drunk and misbehaving, rude and oblivious. I thought of Bourdain’s words during a scene that came about halfway through An Easy Girl, when the teenage protagonist, Naïma (Mina Farid), finds herself at a dinner party at a fancy restaurant; she’s the much-younger guest of her wealthy host, who is presiding over a group of drunken and rowdy guests. They are the last people in the restaurant and the servers and chefs are standing nearby, bored and irritated. They want to go home. Naïma glances at them in sympathy, because her mother works at this very hotel as a cleaner. And yet she’s enjoying the party, and this glimpse into the life of the very rich.

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Review: My Zoe

My Zoe (2021)
Written and Directed by Julie Delpy

My Zoe is a strange, unclassifiable movie. It doesn’t fit any genre but contains elements of domestic realism, medical thriller, and sci-fi. It takes place in a speculative future, but the futuristic setting isn’t immediately obvious. Small details in costuming and prop design let us know we’re in a world with slightly advanced technology. And when the movie takes its final twist, it’s clear that we’re in uncharted territory. Even though Delpy’s drama is absorbing and suspenseful, and grounded in real-life details, there was something theoretical about it that made it hard for me to find my footing, emotionally. I felt like I was watching a parental nightmare made real and then righted with dreamlike logic.

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Review: Spoor

Spoor (2021)
Directed by Agnieszka Holland and Kasia Adamik
Written by Agnieszka Holland and Olga Tokarczuk

We were about halfway through Spoor when my husband remarked, “this movie is right up your alley, isn’t it?” This was shortly after the main character, an animal-rights activist/English teacher/retired engineer, is invited to a costume party hosted by mushroom foragers. It’s high summer, and she’s up late sitting in front of campfire, sharing a joint with her neighbor—he’s the one invites her to the party—and a traveling entomologist who specializes in the study of insects who feast on the dead. Both men are a little in love with her. She’s in her sixties, with wild gray hair. When she’s invited to the forager’s costume party her reply is, “I have a wolf costume.” Life goals!

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Review: Holler

Holler (2021)
Writer & Director Nicole Riegel

In Tara Westover’s bestselling 2018 memoir, Educated, a wildly intelligent young woman finds herself stuck working in her family’s junkyard, unable to leave her isolated Idaho town even as she longs to go to college. Public school is forbidden by her fundamentalist Mormon father, so she is homeschooled with her siblings and forced to scrap metal in illegal and unsafe conditions. Westover’s gripping story of escape captivated readers across the country, and I found myself thinking of it as I watched Nicole Riegel’s directorial debut, Holler, which concerns a young woman facing similar challenges.

Read the rest over at The Common

Review: Land

Land (2021)
Directed by Robin Wright
Written by Jesse Chatman and Erin Dignam

Robin Wright’s directorial debut, Land, is interesting for the way it seems to be in conversation with several recent films that explore the urge to isolate in the wake of trauma. Land follows Edee, played by Wright, a middle-aged professional-seeming woman who abandons civilization to live off the grid in Wyoming. She finds a spartan hunting cabin to rent, and stockpiles it with canned goods and survival gear. Her goal is to learn to live off the land by hunting, fishing, and growing her own food. It’s a lofty ambition for someone who appears to have very little experience in the wild, but she’s determined, going so far as to hire someone to drive her car away so that she doesn’t have the option to leave except by her own two feet.   

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Review: Joyce at 34

Joyce at 34 (1972)
Directed by Joyce Chopra and Claudia Weill

A friend recommended this documentary to me after I wrote about Claudia Weill’s Girlfriends in my monthly newsletter. Joyce at 34 is a short film, a little over a half-hour, about director Joyce Chopra’s transition to new motherhood as she tries to balance her professional and home life. She began filming when she was eight months pregnant at the suggestion of a friend, who said she was in a unique position to make a documentary about her life. Chopra at first thought the movie would be about her mother, and how her relationship with her mother might change after having a baby, but the documentary turned into an inter-generational story about how difficult it is for women to balance work and childcare. Chopra is about the same age as my parents, and her struggle to continue working after having a baby is all too familiar to women in my late Gen X/early millennial cohort. Even as Chopra is shown to have a supportive partner with a flexible work schedule, the burden of childcare falls on her and her mother. I left this movie feeling as if nothing has really changed for women, and nothing will until there is some kind of universal childcare in place, although this isn’t something that anyone in the documentary suggests. It’s not prescriptive or overtly political in its tone. Instead, its power comes in its straightforward depiction of a woman who continues to work after having a baby.

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Review: Together Together

Together Together (2021)
Writer & Director: Nikole Beckwith

For a movie about the impending birth of a baby, Together Together is oddly lifeless. Written and directed by Nikole Beckwith, it tells the story of a friendship between a middle-aged single man, Matt, and his surrogate, Anna, a young woman who has agreed to bear his child for a fee. The film opens with Matt (Ed Helms) interviewing Anna (Patti Harrison) about her qualifications for surrogacy, and we quickly learn that the main requirement is a previous successful pregnancy. Matt is confused because Anna has no children of her own and in an awkward exchange, Anna reveals that she had a child in college but gave it up for adoption. This event, we later find out, was so disruptive that it completely threw Anna’s life off course and left her estranged from her family. She is pursuing surrogacy so that she can pay for college and finally finish her degree. Matt’s reasons for single parenthood are less clear, except that he seems to be a profoundly lonely person. Once, he was in a long-term relationship, but it didn’t work out–he never explains why, and Anna never explains why she decided to bear a child in college and give it up for adoption, although they haltingly ask each other these questions. It’s a script full of half-asked, half-answered questions, one that left me feeling very frustrated and sometimes bored.

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Review: By the Sea

By the Sea (2015)
Writer & Director Angelina Jolie

I will forever associate this movie with my vaccine convalescence, that brief period after your booster shot when it feels like you’re coming down with the flu. Yesterday morning, I got my second Moderna vaccine and I felt fine until around dinnertime. Then I got hit by a wave of fatigue that reminded me of the first trimester of pregnancy. I knew I had to get in a supine position immediately so I retired to my bed with the ipad. I was too tired to even read. I chose By the Sea mainly because I knew my husband had no interest in ever watching it. It got fairly withering reviews when it came out in 2015, and I had pretty much written it off, too, until a couple of weeks ago, when some scenes from it were included in the first episode of the Criterion Channel’s miniseries Women Make Film. I was dazzled by the location and the glamour in those images. I wanted to see more. How bad could it possibly be with Jolie and Pitt starring?

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