Here is my preliminary list of 2020 movies written or directed by women. I’ve included specific dates when available, but as you’ll see, there are several movies at the bottom of my list that are slated for 2020 but don’t yet have release dates. I’m sure I’ve missed a lot, and I’ll be updating as the year goes on. If you have any suggestions, please leave a comment.
Last updated: 1/18/20
Continue reading “2020 Movies Directed or Written by Women”
In writing this blog, I’ve learned that the best way to find new female-directed films is by checking out film festival programs, especially Sundance, where a lot of movies get picked up for distribution in spring and summer. (Though I must admit it’s been disappointing to see the number of films that never get picked up.) For my 2018 and 2019 lists of female-directed films, I incorporated Sundance selections into my list of January releases, deleting them as they found distribution later in the year. This year, I’m going to keep the Sundance releases separate, in part because so many of the selections on the 2020 program are directed or written by women.
Continue reading “Female Filmmakers at Sundance 2020”
Here we are, on the very last day of the year, and I have for you my five favorite woman-directed movies of 2019. I was worried that this post was hopelessly late, but then I checked last year’s list and saw that I didn’t write it until January 21, so I’m actually ahead of myself. The truth is that many of the best movies come out during the last few weeks of December, so unless you have screeners, it’s hard to draw up lists like these before the year is over.
Over the past year, I saw 29 new movies directed or written by women, and 18 new movies directed and written by men. With only 29 movies to choose from, I decided to choose only five favorites — which meant I had to leave Little Women off the list. Which was surprising! With all the buzz, I thought for sure I’d adore it, but I’m not sure I like it any better than the 1994 version. I have more to say on that, and will be reviewing it for The Common, but I wanted to give it an honorable mention. Two other movies that also deserve a shout-out are Atlantics and The Farewell.
Before I dive into the list, I want to mention several movies that I didn’t get a chance to see that might have made the list: Fast Color, One Child Nation, Hail Satan?, Little Joe, and Varda by Agnès.
Okay, with those caveats out of the way, here we go, in no particular order, my favorite woman-directed films of 2019 . . .
Continue reading “Favorite Women-directed Films of 2019”
My love of Christmas movies started when my husband and I first moved in together and we spent our first holiday season together watching cheesy Christmas movies every weekend. Actually, maybe my love of the holiday genre started with It’s A Wonderful Life, which is one of my favorite movies of all time. I’ve probably seen it thirty times and it never gets old. I like the low stakes of Christmas stories, the predictability, the winter fashions, and I also appreciate how most holiday movies have an ensemble cast, so you can watch them over and over again and notice all the little moments between the minor players that you may have missed the first time.
This list includes a couple of my favorites, as well as some that I haven’t seen yet and am adding to my list for this year. Enjoy!
Bridget Jones’s Diary (2001)
Director: Sharon Maguire
Writer: Helen Fielding
This is a personal favorite. The book is hilarious and the film captures its zany energy. Also, it’s perfectly cast, despite worries at the time that Renee Zellweger was not sufficiently British to pull it off. I don’t know if it officially falls into the Christmas Movie category, but it starts and ends with holiday parties, so it counts in my book.
Continue reading “Holiday Movies Directed or Written by Women”
I trust everyone knows that December will bring us Greta Gerwig’s version of Little Women. But there are four more women-directed movies coming our way next month:
Litte Joe Writer & Dir. Jessica Hausner – December 6
A Million Little Pieces Dir. Sam Taylor-Johnson – December 6
Portrait of a Lady on Fire Writer & Dir. Céline Sciamma – December 6
Clemency Writer & Dir. Chinonye Chukwu – December 27
Little Women Writer & Dir. Greta Gerwig – December 25
Trailers after the jump . . .
Continue reading “December Trailers Round Up”
There are a bunch of new movies coming out in November that are either written or directed by women–and they all look good to me. I’m going to try to see all of them, and since two will be available online, I think it’s do-able. A couple of them seem poised to do very well at the box office, as well as at the Oscars.
Here’s a complete list, with release dates:
Harriet Dir. Kasi Lemmons – November 1
Honey Boy Dir. Alma Har’el – November 8
Last Christmas Writers: Bryonny Kimmings and Emma Thompson – November 8
Charlie’s Angels Dir. & Writer: Elizabeth Banks – November 15
A Beautiful Day In The Neighborhood Dir. Marielle Heller – Nov 22
Frozen 2 Co-Dir. Jennifer Lee, Writers: Jennifer Lee & Alison Schroeder – November 22
Queen & Slim Dir. Melina Matsoukas, Writer: Lena Waithe – November 27 (Netflix Film)
Atlantics Dir. & Writer: Mati Diop – November 29 (Netflix Film)
Trailers after the jump . . . Continue reading “November Trailers Round-Up”
Recently, I’ve seen three really great movies directed by women, movies that everyone said were great and which I really wanted to see, but it took me a while to catch up to them — seven years in the case of one . . .
Writer & Director: Lulu Wang
It’s heartening to see how well this one has done in the theaters. It was released mid-July and it’s still playing in many New York theaters. It is Wang’s second feature, a family drama about a young Chinese-American woman, Billi, who feels conflicted when she learns that her extended family living in China have decided to lie to her beloved grandmother, Nai Nai, about her health. Nai Nai is very ill and according to her doctor, dying of lung cancer, but Nai Nai’s sister tells her that she’s fine and will have a full recovery. Meanwhile, the rest of the family is told the truth. Nai Nai’s children are far-flung, having emigrated to the U.S. and Japan and so a plan is made to allow them to come back and say goodbye to Nai Nai: they pressure a younger member of the family to get married immediately so that there will be a wedding to bring everyone together. This makes for a very awkward family reunion. Everyone is sad but must pretend to be happy; meanwhile, there are long simmering tensions between the family members who have left China and the ones who remain.
I loved how attentive this movie was to family dynamics and how each family member gets a moment and is allowed to reveal their perspective. There’s a low-key humor in every scene, and Akwafina is surprisingly, the perfect anchor. I’m used to her as a zany character but here she is observant and melancholy. The ending was stunning, and reminded me of the final scenes of Lady Bird, when Lady Bird returns to New York City and, without a quick series of images, you realize she has come to the end of a certain period of her life.
Continue reading “Late to the Party”