Favorite Women-directed Films of 2019

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Here we are, on the very last day of the year, and I have for you my five favorite woman-directed movies of 2019. I was worried that this post was hopelessly late, but then I checked last year’s list and saw that I didn’t write it until January 21, so I’m actually ahead of myself. The truth is that many of the best movies come out during the last few weeks of December, so unless you have screeners, it’s hard to draw up lists like these before the year is over.

Over the past year, I saw 29 new movies directed or written by women, and 18 new movies directed and written by men. With only 29 movies to choose from, I decided to choose only five favorites — which meant I had to leave Little Women off the list. Which was surprising! With all the buzz, I thought for sure I’d adore it, but I’m not sure I like it any better than the 1994 version. I have more to say on that, and will be reviewing it for The Common, but I wanted to give it an honorable mention. Two other movies that also deserve a shout-out are Atlantics and The Farewell.

Before I dive into the list, I want to mention several movies that I didn’t get a chance to see that might have made the list: Fast Color, One Child Nation, Hail Satan?, Little Joe, and Varda by Agnès.

Okay, with those caveats out of the way, here we go, in no particular order, my favorite woman-directed films of 2019 . . .

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Holiday Movies Directed or Written by Women

My love of Christmas movies started when my husband and I first moved in together and we spent our first holiday season together watching cheesy Christmas movies every weekend. Actually, maybe my love of the holiday genre started with It’s A Wonderful Life, which is one of my favorite movies of all time. I’ve probably seen it thirty times and it never gets old. I like the low stakes of Christmas stories, the predictability, the winter fashions, and I also appreciate how most holiday movies have an ensemble cast, so you can watch them over and over again and notice all the little moments between the minor players that you may have missed the first time.

This list includes a couple of my favorites, as well as some that I haven’t seen yet and am adding to my list for this year. Enjoy!

bridget-jones-colin-firth-renee-zellwegerBridget Jones’s Diary (2001)
Director: Sharon Maguire
Writer: Helen Fielding

This is a personal favorite. The book is hilarious and the film captures its zany energy. Also, it’s perfectly cast, despite worries at the time that Renee Zellweger was not sufficiently British enough to pull it off. I don’t know if it officially falls into the Christmas Movie category, but it starts and ends with holiday parties, so it counts in my book.

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December Trailers Round Up

I trust everyone knows that December will bring us Greta Gerwig’s version of Little Women. But there are four more women-directed movies coming our way next month:

Litte Joe  Writer & Dir. Jessica Hausner – December 6
A Million Little Pieces
  Dir. Sam Taylor-Johnson – December 6
Portrait of a Lady on Fire  Writer & Dir. Céline Sciamma – December 6
Clemency
  Writer & Dir. Chinonye Chukwu – December 27
Little Women  Writer & Dir. Greta Gerwig – December 25

Trailers after the jump . . .

Continue reading “December Trailers Round Up”

November Trailers Round-Up

There are a bunch of new movies coming out in November that are either written or directed by women–and they all look good to me. I’m going to try to see all of them, and since two will be available online, I think it’s do-able. A couple of them seem poised to do very well at the box office, as well as at the Oscars.

Here’s a complete list, with release dates:

Harriet   Dir. Kasi Lemmons – November 1 
Honey Boy  Dir. Alma Har’el – November 8 
Last Christmas WritersBryonny Kimmings and Emma Thompson – November 8
Charlie’s Angels Dir. & Writer: Elizabeth Banks – November 15 
A Beautiful Day In The Neighborhood  Dir. Marielle Heller – Nov 22
Frozen 2   Co-Dir. Jennifer Lee, Writers: Jennifer Lee & Alison Schroeder – November 22
Queen & Slim  Dir. Melina Matsoukas, Writer: Lena Waithe – November 27 (Netflix Film)
Atlantics Dir. & Writer: Mati Diop – November 29 (Netflix Film)

Trailers after the jump . . . Continue reading “November Trailers Round-Up”

Late to the Party

Recently, I’ve seen three really great movies directed by women, movies that everyone said were great and which I really wanted to see, but it took me a while to catch up to them — seven years in the case of one . . .

The-Farewell-Movie-1280x720The Farewell
Writer & Director: Lulu Wang

It’s heartening to see how well this one has done in the theaters. It was released mid-July and it’s still playing in many New York theaters. It is Wang’s second feature, a family drama about a young Chinese-American woman, Billi, who feels conflicted when she learns that her extended family living in China have decided to lie to her beloved grandmother, Nai Nai, about her health. Nai Nai is very ill and according to her doctor, dying of lung cancer, but Nai Nai’s sister tells her that she’s fine and will have a full recovery. Meanwhile, the rest of the family is told the truth. Nai Nai’s children are far-flung, having emigrated to the U.S. and Japan and so a plan is made to allow them to come back and say goodbye to Nai Nai: they pressure a younger member of the family to get married immediately so that there will be a wedding to bring everyone together. This makes for a very awkward family reunion. Everyone is sad but must pretend to be happy; meanwhile, there are long simmering tensions between the family members who have left China and the ones who remain.

I loved how attentive this movie was to family dynamics and how each family member  gets a moment and is allowed to reveal their perspective. There’s a low-key humor in every scene, and Akwafina is surprisingly, the perfect anchor. I’m used to her as a zany character but here she is observant and melancholy. The ending was stunning, and reminded me of the final scenes of Lady Bird, when Lady Bird returns to New York City and, without a quick series of images, you realize she has come to the end of a certain period of her life.

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9 Women-Directed Films I Can’t Wait to See in 2019

I just updated my list of 2019 movies that are directed by women, and it gave me a chance to think about what movies to watch over the next few weeks–and also to get excited about what’s ahead for the year. So, here’s a preliminary last. Two of these, High Life and My Zoe are repeats from last year, because they didn’t end up being slated for release until this year–but I am still just as eager to see them. . .

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SWORD OF TRUST    Writer & Director: Lynn Shelton

This is an ensemble comedy, starring Marc Maron, Michaela Watkins, and Jon Bass among others. I like Shelton’s low-key movies, especially when she does comedy. I’m also a fan of Maron and his WTF podcast. So, I’m here for this one. In theaters March 8.

 


HIGH LIFE 
Writer & Director: Claire Denis

This sci-fi movie is French director Claire Denis’s English-language feature film debut. It revolves around a group of prisoners who have been sent into deep space as a way to shorten their sentences. Apparently, Denis has been trying to make this movie since 2002 and wrote the screenplay with Philip Seymour Hoffman in mind. After Hoffman’s death in 2014, Robert Pattison signed on for the lead. I’m intrigued by the premise and the trailer is so creepy I couldn’t finish watching. In theaters April 12.

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As Usual, Oscar Nominations Include Few Women

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I was struggling to find a photo for this post, so I decided to find a happy one, of a woman directing a movie–Patty Jenkins, with Gal Gadot, on the set of Wonder Woman. 

This was the other image I was considering:

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As usual the Oscar Nominations had only a handful of female nominees. There were only four categories (out of twenty) in which women achieved parity or had the majority of nominations. Many categories did not include any women.

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My Favorite Movies Written and Directed by Women in 2018

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This post is long overdue. First I got sucked into a holiday vortex and then all the viruses came to roost in our household. The little one would get sick, then the bigger one, then the bigger one, then the little one, then the little one . . . meanwhile, I got some variation of everything. I’ve done a lot of reading but have barely watched any movies. I have, however, had a chance to think back on the movies I saw last year.

If you’ve been following this blog, you know that for the past year I’ve made a special effort to see movies written or directed by women. After the Harvey Weinstein revelations, I felt so sickened by the movie industry that I wanted to change my viewing habits to see more films made by women—not only to support women, but for my own viewing pleasure.

In 2017, before I made any special effort to see women-made films, only 9 of the 28 movies I saw were written or directed by women. This year, I watched 43 movies, a mix of old and new, but mostly new. Of those 43 films, 29 were written or directed by women. So, that’s a big improvement over last year! Still, given that I only saw around 30 movies written or directed by women, it seems a little too easy do a top ten list of film. There’s not a lot of discernment when you’re choosing the top third. Instead, I’ve decided to make two top three lists: Top Three Films Directed by Women, and Top Three Films Written by Women.

As I was putting together these lists, I asked myself how much they would differ from a top three list of all movies, regardless of gender, and I will admit that First Reformed, Roma, and Sorry To Bother You might have edged out some of the films on these lists. But, these films would definitely make any of my top ten lists—and that’s one of the reasons I limited myself to three films. One last caveat: I never got to see Happy As Lazzarro, Zama, and Let the Sunshine In, and judging from the critical response, these were great films that might have also made the list.

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