Review: SHIRKERS

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Writer & Director: Sandi Tan

In 1992, at age 19, novelist Sandi Tan wrote and starred in Shirkers, a feature-length road movie shot on the streets of SingaporeThe title was inspired by Tan’s idea that in life, there were people who were neither movers nor shakers, but shirkers—those who evade responsibility and duty, escaping the confines of society. It starred Tan as S., a murderer and kidnapper on a mysterious mission to save children. One of Tan’s points of inspiration was J.D. Salinger’s The Catcher in the Rye. The plot didn’t matter as much as the mood, which Tan cultivated through carefully chosen locations, props, costumes, and music. Tan hired a friend to compose a soundtrack on his electric guitar, and hand-made many of her props, including a colorful board game that S. uses to plot her kidnappings. S.’s costume was a pink sailor shirt and blue knee-length shorts; she carried an old-fashioned camera on a strap, as well as a leather suitcase. “When I was eighteen,” Tan explains, “I thought you found freedom by building worlds inside your head.”

To read more follow this link to The Common

My Weekend with the Gyllenhaals

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I spent the weekend watching two new movies that star the Gyllenhaal siblings: The Kindergarten Teacher, starring Maggie and Wildlife, with Jake. In both films, I thought the Gyllenhaals were especially well cast. I know they aren’t to everyone’s taste — and when I got home my husband and I got into a debate about whether or not Jake Gyllenhaal is actually a good actor — but I found them both to be pretty magnetic and appealingly odd. Neither really melt into a role and both have a way of throwing things off-kilter. So, they need the right movies for their talent.

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Lights, Camera, Alice: a new children’s book about Alice Guy

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I came across this new children’s book when I was doing a library search for Alice Guy Blaché’s memoirs, which, by the way, are very hard to get a hold of. (More on that in another post, as this blog slowly morphs into a Alice Guy Blaché research site.)

Lights! Camera! Alice! is what my 6-year-old son would call a “true-story book.” It tells Blaché’s biography with a high degree of historical accuracy (with an index of sources) and doesn’t embellish, though it does have to skip over a lot of details as it jumps through times. There are a couple cinematic touches throughout, with title cards to announce different periods in Alice’s life and a newspaper montage to show the outside world events. The illustrations are charming with a color palette that is subtly reminiscent of old movies.  Continue reading “Lights, Camera, Alice: a new children’s book about Alice Guy”

RBG = Wonder Woman

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Directors: Julie Cohen and Betsy West

Last week I saw A Star Is Born, and I was told by many people to bring tissues. But I didn’t shed a tear watching that movie. Instead, it was a documentary about an 85-year-old Supreme Court Justice that brought the tears on. There were so many things I found moving, starting from Bader Ginsburg’s close relationship with her mother, who died when Ruth was 17, to her long marriage to Marty Ginsburg, a man who realized, from pretty much the first date, that he had met a person of unusual intelligence and strength.

She would need her strength in the early years of her marriage, when she was one of five women at Harvard Law. Her presence in class was suspicious, especially since she was married to a fellow classmate — why did she need to be a lawyer, too? The Dean hosted the female students for a special welcoming dinner, asking them: why did they think they deserved to take the spot of a man who was just as qualified? Ruth put her head down and made the Law Review. She also had a baby in her first year of law school. Oh, and Marty got cancer. Yes. He got cancer. Guess who cared for him, the baby, and graduated at the top of her class?  Continue reading “RBG = Wonder Woman”

Review: Land of Steady Habits

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Writer & Director: Nicole Holofcener

If you’re thinking about moving to the suburbs but would like to be convinced otherwise, I recommend streaming The Land of Steady Habits immediately. With the exception of a divorcee played by Connie Britton, the characters in this movie are all low-key unhappy as they try to make the best of their affluence. Adapted from Ted Thompson’s novel by the same name, it follows the midlife crisis of Anders, a fifty-something guy who is attempting to forge a new life for himself after divorcing his wife and quitting his lucrative job. The film opens with the screenshot above: Anders trying to choose towels for his new single-guy condo. It’s a striking image that shows both the state of Anders emotional life (bewildered, overwhelmed) and the soul-numbing indecision brought on by big box stores. Maybe it also hints at the extraordinary class divide, where a small percentage of Americans have an endless array of meaningless choices while a huge percentage have no choice but to get by.  Continue reading “Review: Land of Steady Habits”

Review: Private Life

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Writer & Director: Tamara Jenkins

One of the downsides of being an amateur reviewer with small children at home is that I usually see movies after they’ve been released. Though I try to avoid reviews of movies that I know I’m going to see, it was hard to avoid the buzz on Private Life, Tamara Jenkin’s first feature in eleven years about a couple dealing with infertility. It seemed like every podcast I listened to had something positive to say about it, extolling the quality of the writing and the storytelling and the splendid characterization and the wonderful acting. I second all that, but in the end, I had trouble getting into this movie. My attention wandered. A half-hour in, my husband and I both remarked that it seemed like a lot more time had passed, but not because it was slowly paced. Instead we felt like we had already been dragged through so much pain and indecision. The screenplay of Private Life is very carefully constructed, and I wondered if Jenkins was trying to create in the viewer some of the feelings of frustration and detachment that her characters are experiencing.  Continue reading “Review: Private Life”

Review: Can You Ever Forgive Me?

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Director: Marielle Heller
Writers: Nicole Holofcener and Jeff Whitty

This has to be one of the best movies about writing that I’ve seen, one shows, in a realistic way, the difficulty of making a living as a writer, and the special cruelty of the New York publishing world. Based on Lee Israel’s memoir of the same title, it’s about a down-on-her-luck biographer (Melissa McCarthy) who turns to literary forgery as a way to pay her bills. Israel, who died in 2014, found plenty of work as a journalist and author in the 1970s and 80s, but had a dry spell after her biography of Estee Lauder was panned by critics and sold poorly. Can You Ever Forgive Me? takes place in the early 1990s, when Lee begins to forge letters by famous writers like Dorothy Parker and Noel Coward to sell to collectors. Continue reading “Review: Can You Ever Forgive Me?”