Crip Camp: A Disability Revolution (2020) ★★★1/2
Directed by James Lebrecht and Nicole Newnham
Crip Camp is a Netflix film, produced by Barack and Michelle Obama, but I had the unusual experience of seeing it on the big screen a few weeks ago for a press screening. I say unusual not only because this is a documentary that most people will watch at home but because I ventured out to see it when people were just starting to feel nervous about Coronavirus. I wasn’t even sure I should go, but at that time, my kids were still in school, my husband was still going into to work and out to evening events and except for everyone washing their hands a lot, things were relatively normal. It’s eerie how quickly things have changed.
Anyway, I went into the screening feeling anxious and scatterbrained but left feeling centered and full of hope. Crip Camp tells the story of the disability rights movement, which was seeded at a teen summer camp called Camp Jened. The camp itself, located in upstate New York near Woodstock, was ordinary and in terms of its offerings. There was a pool, arts and crafts, sports, and music. The usual. What made it extraordinary was that every kid who went was disabled, which meant that a bunch of teenagers who were used to being pushed to the side were suddenly front and center. For the first time in their lives, the kids experienced what it was like to be among people who were not put off or scared by their disabilities, and who saw them in terms of their personalities, interests, and dreams. It was so freeing that for many of the campers, it was a political awakening. As one camper puts it, there was a realization that “the problem with the disabled isn’t with the disabled, it’s with the outside world.”
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First Cow (2020) ★★★★1/2
Directed by Kelly Reichardt
Written by Kelly Reichardt and Jonathan Raymond
The plain title of Kelly Reichardt’s eighth feature film belies a richly–detailed period piece set in 1820s Oregon Territory. But before immersing you in the past, Reichart opens in the present, with a shot of alarge industrial ship making its way down the Willamette River. Along a piece of undeveloped shoreline, a woman and her dog are walking when the dog’s playful digging uncovers a human skull. Curious, thewoman continues digging to reveal two full skeletons lying next to each another. As is typical of a Reichardt movie, this action unfolds wordlessly but with attention to the sounds of the natural world: the chirping of nearby birds, the dog’s panting and scuffling paws, and the river flowing by. This quiet, observational approach makes the discovery of two skeletons feel interesting, rather than ominous. However, I must admit that what I found most arresting about this scene was a lightweight pink scarf that the woman was wearing tied around her neck in a loose bow. It was the only warm color in a scene dominated by grays, blues, and greens, and as the woman’s scarf fluttered in breeze, I felt that it, as well as the skeletons, had a secret meaning. . .
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Emma (2020) ★★★1/2
Directed by Autumn de Wilde
Written by Eleanor Catton, based on the novel by Jane Austen
I saw this a couple of nights ago and it was pure delight. My only regret is that I went to see it by myself and not with my husband or with a friend. I left it in a cheery mood, buoyed by the playful costumes, bucolic scenery, intelligent dialogue, and of course, the romantic ending when everyone is happily paired up — except, maybe, for Jane Fairfax. I felt bad for her, and I don’t remember her character from previous versions of Emma, though I must confess that I have never read Emma, so I don’t know if she is from the book or not.
Continue reading “Review: Emma.”
The Assistant (2019) ★★★★
Written & Directed by Kitty Green
When I wrote the heading for this review I thought to myself wow, am I really giving this movie four stars? It’s the unusual instance when using a star rating system is clarifying rather than frustrating, because my reasons for rating it as less than four stars were entirely superficial. In terms of its production, The Assistant it is a “small” movie, but in terms of its themes, and emotional impact, it’s huge. It takes place over a short time period — one day — and involves only a handful of people in a few rooms, with its focus on Jane (Julia Garner), a junior assistant to a film producer. Very little happens and there is hardly any dialogue; there’s only one passage in the film in which two characters engage in extended back-and-forth discussion. All other verbal communication is limited to short or one-sided phone conversations, e-mails, and eavesdropping.
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To All The Boys: P.S. I Still Love You (2020) ★★
Directed by Michael Fimognari
Written by Sofia Alvarez and J. Mills Goodloe, based on the novel by Jenny Han
It’s not a good sign when, watching a sequel, you begin to wonder what it was you liked about the original material. I went back to my review of To All The Boys I’ve Loved Before and saw that I compared it to the Great British Baking Show — high praise, indeed! I was new to the world of Lara Jean and thought there was something sweet and unpretentious about her character. I also really liked Lana Condor, the actor who plays Lara Jean. She’s just as delightful in this sequel, but she can’t rescue the material, which gets bogged down in a lot of high school logistics and relationship drama. Also — and it pains me to say this, because he’s like a Mark Ruffalo Jr. — but I think this second installment reveals the limits of Noah Centineo’s acting abilities. He’s perfectly cast as the unattainable love object in the original, but as a real person in a relationship, he comes off as a shallow performer. He just can’t convey the complexity and vulnerability that is needed.
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Miss Americana (2020) ★★★
Directed by Lana Wilson
For a few years, my friends teased me because one evening in 2009, after I’d been writing for a few days and hadn’t paid much attention to the news, I asked if anyone could fill me in on whatever it was that had happened between Kanye West and Taylor Swift earlier in the week. Um, yeah. They could fill me in. Pretty much anyone I talked to at the bar could have filled me in at that point. I’d thought I was bringing up a piece of light gossip, but my friends quickly informed me that this was a world historical Internet Event, one so engulfing that even President Obama had weighed in.
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I spent most of last month trying to finish up a revision of my novel but as usual was waylaid by winter colds and family issues. (As I write this, my son is home sick for the second day in a row.) In the meantime, I caught up with some movies from 2019 that I missed. Here are some quick reviews:
Wild Rose (2019) ★★★1/2
Directed by Tom Harper
Written by Nicole Taylor
At first I was a little underwhelmed by this movie, but the music and the writing won me over. The story is more complex than it at first seems and I really fell in love with Jessie Buckley’s voice, especially her rendition of “Peace In This House.”
Continue reading “January Movie Diary”