Shiva Baby looks and sounds like a comedy but it’s actually a horror movie about being in your twenties, with a surprising vein of emotion. The film centers on Danielle (Rachel Sennott), a college senior whose Gender Studies major makes her parents anxious as it doesn’t seem to correlate with any specific career. They also don’t like — or even totally believe — that Danielle is bisexual. When Danielle joins her parents for the shiva of a family friend, they coach her about what to say about her future prospects and to be on the lookout for potential job opportunities. It’s funny and awkward and soul-crushing for Danielle, who already feels guilty for her lack of ambition. Danielle also has a secret: she’s a sugar baby, a young woman who is paid for her sexual favors. She tells her parents, who support her financially, that she earns extra money by babysitting; she tells her sugar daddy that she needs the money to pay for college. When her sugar daddy, Max (Danny Deferrari), turns out to be a guest at the shiva, Danielle realizes that the lies she’s been telling everyone are about to be exposed. To make things even more complicated, her ex-girlfriend, Maya (Molly Gordon), is also in attendance.Continue reading “Review: Shiva Baby”
Director: Steven Spielburg
Writer: Melissa Mathieson
Last night I watched E.T. with my two children, aged 3 and 8, for family movie night. I watched this movie a lot as a kid, but I don’t think I ever saw it in the theater. Instead I had a VHS tape of it, recorded from when it was on TV. There are certain scenes from E.T. that are like my own childhood memories — like in the still above, when Gertie dresses E.T. in her clothes. And there’s another scene when E.T. hides in the closet full of stuffed animals, because he’s scared. I loved that. The set design in this movie is impressively detailed and gives the sense of what it’s like to be in a house full of kids. Everything is messy but the objects are also very beloved and special. The house also helps to tell the story: you get the sense that everything is a bit more chaotic than normal because the parents have just separated. The mother is barely holding it together as she works full time and parents three children, and her housekeeping is a place where she has decided to let things go. That’s how E.T. manages to live there without her noticing.Continue reading “Revisiting E.T.”
Test Pattern (2021)
Writer & Director Shatara Michelle Ford
When a woman is the victim of rape, she is advised to act quickly in its aftermath, hurrying to a hospital to undergo a forensic examination. Instead of sleeping or showering, a woman who has been sexually assaulted should, ideally, go the emergency room and consult with a nurse, who will collect DNA samples from her body. Afterwards, she will meet with a police offer for questioning. It’s a psychologically harrowing experience in and of itself, and it’s easy to understand why many women choose not to report their rapes. Test Pattern tells the story one woman, Renesha, who does, and what it costs her and her boyfriend Evan, who accompanies her on her quest to obtain proper medical care. By focusing on the logistics of reporting a rape, rather than the assault itself, writer-director Shatara Michelle Ford’s powerful debut feature shows a healthcare system that ignores the reality of sexual violence, and in doing so, allows it to continue unchecked.Continue reading “Review: Test Pattern”
Little Joe (2019)
Writer & Director: Jessica Hausner
I was initially turned off of this movie –and maybe you were, too — when it first appeared in the U.S. in late 2019. It got mixed reviews, including a lot of pans, and I lost track of it in the rush of end-of-the-year releases. I was reminded of when it turned up on Pedro Almodovar’s list of the best movies of 2020 and then, when I saw that it was streaming on Hulu, I decided to give it a try, and I’m so glad I did. It’s an eerie story about the ways humans try to control the natural world, and at first it seems like it’s going to be a high-concept commentary on the danger of GMOS. But then it turns into a kind of meditation on the nature of perception and reality. I can see why a lot of viewers would find it frustrating, but I would have watched it for the color scheme alone.
While Hollywood fights the streaming wars, almost everyone I know is completely and utterly confused about what is available to watch online and where to find it. Even I have trouble finding things, and while I would never argue that I’m particularly in-the-know, I do follow industry news, and I’m in touch with a variety of publicists about new releases. I also keep a running list of upcoming movies directed by women, which requires some research and digging. And yet, it took me ten minutes to figure out where I can watch Julie Delpy’s new movie, My Zoe, which releases in theaters February 26. I’m still confused about whether or not I can see it at home. It doesn’t look like it’s playing in virtual cinemas, and there’s no information about when and where it might be available for rental or streaming. I’m interested in reviewing this movie, but I’m not sure what the point is, if no one will be able to watch it. It would make more sense to wait until the movie has a streaming date, but what is the streaming date? Why doesn’t it say on the movie’s website? Is it that they don’t yet have a streaming date and/or platform? Or are they holding back the information because they feel it would be inhibiting to someone who is considering seeing it in theaters?Continue reading “Everyone I Know is Confused About Where to Find and Watch New Movies”
Director: Phyllida Lloyd
Writers: Clare Dunne & Malcom Campbell
I’m calling it: Herself is the first movie of the Biden Era. It’s empathetic, kind, and emotionally direct. It’s the kind of movie where characters say things like, “you impress me so much.” It would not have been out of place for anyone to remark, “Here’s the thing about life: there are some days when we need a hand and there are other days when we’re called upon to lend one.” Set in Ireland, Herself centers on a single mother, Sandra, who needs help starting over after leaving an abusive marriage. Her employer, friends, and acquaintances quickly come to her aid, volunteering to help her build a house for her and her two young children. It sounds corny, but isn’t in the least, because director Phyllida Lloyd makes room for the complexity of abusive relationships, as well as the lingering psychological and physical trauma. This isn’t a story where everything is okay in the end, but it is one where people are decent and kind to one another, and do their best to fix what is broken and heal one another.Continue reading “Review: Herself”
Now that Biden is in office and there is an actual plan in place to tackle the pandemic, it feels like we can finally look forward to things again. I’m hoping we’ll be back in the theaters by this fall, and maybe we can see some of these upcoming movies on the big screen. But in the meantime there are plenty of small-screen debuts to enjoy . . .
Barb and Star Go to Vista Del Mar – Available for rental at a premium price Feb 12
Director: Josh Greenbaum
Writers: Annie Mumolo & Kristen Wiig
Kristin Wiig is one of those people who can make me laugh with just a facial expression, so I’m in for this no matter what. As a bonus, it’s written by Wiig and her co-star, Annie Mumolo, who play middle-aged besties, Barb & Star. The two gals decide to leave their Midwest town for the first time to take a vacation in Florida. Hilarity ensues and there’s also an evil villain somehow? Whatever! It looks fun.Continue reading “My Most Anticipated 2021 Movies”
Pieces of a Woman (2020)
Director: Kornél Mundruczó
Writer: Kata Wéber
For the first half-hour of Netflix’s “Pieces of a Woman,” my husband and I were nervous wrecks, sitting on the sofa in our living room. It was the opposite of “Netflix and chill,” more like “Netflix and re-live traumatic experiences.” During the movie’s extended prologue, Vanessa Kirby and Shia LeBeouf play Martha and Sean, a young couple in the midst of a home birth, with Kirby convincingly going through labor, not just the terrified/ecstatic screams we’re used to seeing dramatized on screen, but the uncertain and confusing middle stages of labor, when unexpected physical sensations and emotions begin to arise. The entire birth sequence is shot in one unbroken take, which heightens the feeling of intimacy and vulnerability, especially as things begin to go wrong.Continue reading “Review: Pieces of a Woman”
This is just a short post to say that I’m getting rid of star ratings on my reviews. I tried them for a year, and I don’t like them. They annoy me and give me stress and end up feeling kind of meaningless because so many movies end up with 3 or 3.5 stars. And then there’s the problem of the five-star rating. I can’t decide what it means to me–masterwork? One of the best movies of a particular year? A personal favorite? Clearly I overthink the stars. I use them on letterboxd and they can be useful when sorting through a big group of movies. If you really want to know my star rating, you can check it there.
I’m starting a monthly newsletter. Every month you’ll get 4-5 short and sweet film recommendations sent to your inbox. My goal is to pick movies for a variety of moods, whether you need a low-stakes weeknight watch, an escape to a beautiful landscape, or if you’re ready to dig into a complex historical issue. Movies will be a mix of new and old, with an emphasis on female creators. The idea is to help you sort through the endless streaming content to find the movies that you might not have noticed.
Please give it a try, and let me know what you think. This first newsletter will be sent this week. You can sign up by following the link below: