Writer & Director: Sandi Tan
In 1992, at age 19, novelist Sandi Tan wrote and starred in Shirkers, a feature-length road movie shot on the streets of Singapore. The title was inspired by Tan’s idea that in life, there were people who were neither movers nor shakers, but shirkers—those who evade responsibility and duty, escaping the confines of society. It starred Tan as S., a murderer and kidnapper on a mysterious mission to save children. One of Tan’s points of inspiration was J.D. Salinger’s The Catcher in the Rye. The plot didn’t matter as much as the mood, which Tan cultivated through carefully chosen locations, props, costumes, and music. Tan hired a friend to compose a soundtrack on his electric guitar, and hand-made many of her props, including a colorful board game that S. uses to plot her kidnappings. S.’s costume was a pink sailor shirt and blue knee-length shorts; she carried an old-fashioned camera on a strap, as well as a leather suitcase. “When I was eighteen,” Tan explains, “I thought you found freedom by building worlds inside your head.”
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Several years ago, when I was doing research on depression for my novel Home Field, my sister recommended The Noonday Demon, Andrew Solomon’s nonfiction book/memoir about depression. It sounds odd to say that I loved a book about depression and yet I did love that book, because it helped me to understand an affliction that I had seen wear down many friends and loved ones. It also gave me new ways of thinking about the mind-body connection — if the mind and body can even be separated. Finally, it looked deeply into the question of nature versus nurture, and what effects environment and life experience have on health.
The Noonday Demon also introduced me to the voice of Andrew Solomon, which is erudite, peculiar, witty, and confiding. Like the best novelists, he has the ability to synthesize huge bodies of knowledge and research and to put it in the service of whatever story he’s telling. I was eager to read more of his writing after I finished The Noonday Demon and as it happened, his new book, Far From the Tree had just been published. I bought without knowing much about it, except that it was about parent-child relationships and that it was very long, over 900 pages.
What followed was on of the most indelible reading experiences of my life. Continue reading “Review: Far From the Tree”