Originally slated for SXSW, the New York Times is now streaming Hysterical Girl, a documentary short about Freud’s classic case study, Dora: An Analysis of a Case of Hysteria. Writer and director Kate Novack argues that instead of being a case study of sexual repression, Freud’s Dora is actually a classic example of how men ignore, misinterpret, and cover up reports of abuse from girls and women.
I just watched it and was impressed by how many ideas it crammed into 13 minutes. The movie is anchored by a dramatic monologue that uses Freud’s own notes to give voice to Dora’s side of the story. The monologue is illustrated by a rapid collage of images and clips from classic films and TV shows, news coverage of Anita Hill, Christine Blasey Ford, and other women who have stood up to men in power, and hand-drawn animations.
First Cow (2020) ★★★★1/2
Directed by Kelly Reichardt
Written by Kelly Reichardt and Jonathan Raymond
The plain title of Kelly Reichardt’s eighth feature film belies a richly–detailed period piece set in 1820s Oregon Territory. But before immersing you in the past, Reichart opens in the present, with a shot of alarge industrial ship making its way down the Willamette River. Along a piece of undeveloped shoreline, a woman and her dog are walking when the dog’s playful digging uncovers a human skull. Curious, thewoman continues digging to reveal two full skeletons lying next to each another. As is typical of a Reichardt movie, this action unfolds wordlessly but with attention to the sounds of the natural world: the chirping of nearby birds, the dog’s panting and scuffling paws, and the river flowing by. This quiet, observational approach makes the discovery of two skeletons feel interesting, rather than ominous. However, I must admit that what I found most arresting about this scene was a lightweight pink scarf that the woman was wearing tied around her neck in a loose bow. It was the only warm color in a scene dominated by grays, blues, and greens, and as the woman’s scarf fluttered in breeze, I felt that it, as well as the skeletons, had a secret meaning. . .
Read the rest over at The Common
I recently updated my list of 2020 movies written and directed by women and wanted to highlight this month’s selections because it ended up included a long list of movies premiering at South By Southwest.
Of the March releases, I have already seen First Cow — my review will be posted in a few days at The Common — and have plan to see Crip Camp next week. I’m also hoping to see Never, Rarely, Sometimes, Often, a movie about two teenage girls traveling in order to get an abortion, and my seven-year-old son is super-excited for the live-action Mulan, so I know I’ll be going to that, too.
Click through for a full list of March movies written or directed by women . . .
Continue reading “March Movies”
Emma (2020) ★★★1/2
Directed by Autumn de Wilde
Written by Eleanor Catton, based on the novel by Jane Austen
I saw this a couple of nights ago and it was pure delight. My only regret is that I went to see it by myself and not with my husband or with a friend. I left it in a cheery mood, buoyed by the playful costumes, bucolic scenery, intelligent dialogue, and of course, the romantic ending when everyone is happily paired up — except, maybe, for Jane Fairfax. I felt bad for her, and I don’t remember her character from previous versions of Emma, though I must confess that I have never read Emma, so I don’t know if she is from the book or not.
Continue reading “Review: Emma.”
The Assistant (2019) ★★★★
Written & Directed by Kitty Green
When I wrote the heading for this review I thought to myself wow, am I really giving this movie four stars? It’s the unusual instance when using a star rating system is clarifying rather than frustrating, because my reasons for rating it as less than four stars were entirely superficial. In terms of its production, The Assistant it is a “small” movie, but in terms of its themes and emotional impact, it’s huge. It takes place over a short time period — one day — and involves only a handful of people in a few rooms, with its focus on Jane (Julia Garner), a junior assistant to a film producer. Very little happens and there is hardly any dialogue; there’s only one passage in the film in which two characters engage in extended back-and-forth discussion. All other verbal communication is limited to short or one-sided phone conversations, emails, and eavesdropping.
Continue reading “Review: The Assistant”
Are you looking for a stunning love story to watch tonight? This is it. I reviewed it for The Common last year when it was in limited release. It goes into wide release this weekend. See it on the big screen with surround sound! You need to hear the waves crashing, the fires crackling, and the music in the final scene.
There’s been a lot of talk about who didn’t get nominated for the Oscars and should have, and while I’m as disappointed as anyone that Greta Gerwig didn’t get a director nod, she did get nominated for best adapted screenplay, and her costume designer, Jacqueline Durran, was nominated as well. So those are two women that I’m rooting for. (In fact I wrote a review that is pretty much an argument for why Gerwig should win for best adaptation.)
Looking over the other nominations, I noticed the usual gender breakdown, with a lot of women in the art department, but hardly any in the cinematography, special effects, and editing categories — though I was happy to see that this blog’s namesake, Thelma Schoonmaker, was nominated for editing The Irishman.
Here are some other women to watch for this weekend. This isn’t a comprehensive list of all the female nominees (though it’s close), just the nominees whose work I am familiar with from the past year in movies . . .
Continue reading “The Women Who Did Get Nominated for Oscars”
Miss Americana (2020) ★★★
Directed by Lana Wilson
For a few years, my friends teased me because one evening in 2009, after I’d been writing for a few days and hadn’t paid much attention to the news, I asked if anyone could fill me in on whatever it was that had happened between Kanye West and Taylor Swift earlier in the week. Um, yeah. They could fill me in. Pretty much anyone I talked to at the bar could have filled me in at that point. I’d thought I was bringing up a piece of light gossip, but my friends quickly informed me that this was a world historical Internet Event, one so engulfing that even President Obama had weighed in.
Continue reading “Review: Taylor Swift: Miss Americana”
I spent most of last month trying to finish up a revision of my novel but as usual was waylaid by winter colds and family issues. (As I write this, my son is home sick for the second day in a row.) In the meantime, I caught up with some movies from 2019 that I missed. Here are some quick reviews:
Wild Rose (2019) ★★★1/2
Directed by Tom Harper
Written by Nicole Taylor
At first I was a little underwhelmed by this movie, but the music and the writing won me over. The story is more complex than it at first seems and I really fell in love with Jessie Buckley’s voice, especially her rendition of “Peace In This House.”
Continue reading “January Movie Diary”
This is a ongoing list of 2020 movies written or directed by women, mostly narrative films, but I’ve thrown in some documentaries, too. I’ve included specific dates when available, but as you’ll see, there are many movies at the bottom of my list that are slated for 2020 but don’t yet have release dates. I’m sure I’ve missed some titles, so if you have any suggestions, please leave a comment.
Last updated: 4/23/20, I added color coding to help me make sense of all the postponements and streaming changes due to quarantine.
RED = postponed or unknown (to me) release date
GREEN = premiering on video on demand and drive-in theaters
BLUE = originated in theaters, now streaming or will soon stream on paid platforms
PURPLE = originated on streaming subscription platforms
It may be that in a few weeks this color-coding will be obsolete because everything will just have a new streaming release date. Or it could be that I’ll have to have a new color for movies that are postponed but will be released in theaters in the fall.
Continue reading “2020 Movies Directed or Written by Women”