This is a movie that I don’t want to discuss without spoiling its plot, though I don’t think it’s a movie that can be spoiled, because I went in knowing its secrets, and I still enjoyed it. But, fair warning, if you click for the full review, I’ll reveal the central twist . . .
Continue reading “Review: The Wife”
Well, this movie was as charming and sweet as The Great British Baking Show, and like GBBS, you can find it streaming on Netflix. It’s based on a Jenny Han’s much-beloved YA novel by the same title and it’s been generating a lot of conversations about representation because the story centers on an Asian-American girl, something that is still rare in Hollywood. Even more depressing is that the author and director had to fight to cast an Asian actor in the lead role because, according to producers, “there was nothing in the story that required her to be Asian.”
Thank goodness the author and director did insist on Lana Condor for the lead, because she had the perfect mix of dreaminess and intelligence for Laura Jean, a character I immediately liked and could relate to. She’s a smart girl, who’s grounded in family life and schoolwork, but at the same time, she’s naive and nervous about social life. She wants romance but doesn’t know how to find it. Han said she wrote the novel thinking about her own high school experience: “Particularly being in early high school and younger, and the idea that you want these sort of [romantic] relationships and love, and [how they feel] so comfortable in your head, but then can feel so uncomfortable in real life.”
Laura Jean also reminded me of one of my favorite literary characters, Anne of Green Gables. Like Anne, Laura Jean has a rich imaginative life and romantic ideals that aren’t quite met in real life. Like Anne, she unexpectedly finds herself falling in love with the most popular boy in school (and he with her). Also, like Anne, Laura Jean doesn’t have a mother, and I found myself tearing up a little when Laura Jean talks with her kinda-sorta boyfriend about their parents. It wasn’t the content of the conversation so much as the fact that the two characters were listening to each other. There was a lot of sweetness in the moment, and in this movie in general, of the kind that you don’t usually see in teen rom-coms.
Hi, I’m back from summer break! I thought now would be a good time to revisit my master list of 2018 movies directed and/or written by women. I’ve been updating it all year, but I’m reposting now because a lot of the women-directed films that premiered during winter and spring film festivals have been slated for release this fall. I’ve also added a new section at the bottom, “2019 Preview” which includes some of the women-directed films premiering early next year. I’ll post a more expansive 2019 Preview at the end of the year, and I’ll still continue to update this 2018 list over the next few months.
As with the previous post, I’m sure this list is missing some titles. If you know of any I’ve missed, please leave a comment or email me. I’ve focused mostly on narrative films, but I threw in a few documentaries that were of personal interest to me.
(Last updated 12/04/18)
Continue reading “Update: 2018 Movies Directed or Written by Women”
In fairy tales, the forest is a dark, dangerous place, populated by wolves and other menacing creatures, but for Thomasin and her father, Will, a veteran of the wars in Iraq and Afghanistan, the forest is a respite, a place of quiet and calm. More than that, it’s their home. For several years, they’ve been camping in Forest Park, an enormous urban park on the outskirts of Portland, Oregon. Although they have gone undetected all this time, they still do practice drills in case they should be discovered. In an early scene, Will critiques his daughter’s hiding place, telling her that her socks give her away. Actually, it’s Thom’s eyes that betray her: you can see her loneliness and her restlessness. As a younger kid, 24-7 camping may have appealed to her, but when we meet Thom, she is a young teen, full of curiosity about the outside world and eager to meet new people. The only thing that keeps her in the woods is her deep love and sympathy for her father.
Thom and Will are inevitably discovered, and Leave No Trace tells the story of what happens after: how they adjust to life in the world outside their forest. . .
(Read the rest at The Common)
Here’s another list: this one of 2018 movies written and/or directed by women. I gathered these titles from a variety of sources, including Indiewire, Refinery 29, womenandhollywood.com, Bazaar, Sundance.org, and Film School Rejects. As with my 2017 list, this one is by no means complete and for at least a dozen movies, I could not find release dates/months. They are listed as TBD for now, but I’ll update* this list throughout the year as more information is available and/or corrections need to be made. I’ve also created a version of this list on letterboxd.
*last updated 8/15/18
Continue reading “2018 Films Directed or Written by Women”