Gerwig’s Wonderfully Literary Adaptation is Unexpectedly Faithful to the Original — Including the Ending

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I have friends who cried their way through Greta Gerwig’s Little Women, and I expected that I would, too, but I spent much of my first viewing in a state of mild agitation. I had re-read the novel a few days before seeing the film, and was distracted as I tried to figure out the mechanics of Gerwig’s complex temporal structure. Little Women was originally published as two books: Little Women and Good Wives, and Gerwig braids together these two volumes, going back and forth between past and present. As with Gerwig’s debut feature Lady Bird, the pace is galloping. Not only are there two separate timelines, Gerwig cuts rapidly between characters and locations within each timeline.

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My Weekend with the Gyllenhaals

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I spent the weekend watching two new movies that star the Gyllenhaal siblings: The Kindergarten Teacher, starring Maggie and Wildlife, with Jake. In both films, I thought the Gyllenhaals were especially well cast. I know they aren’t to everyone’s taste — and when I got home my husband and I got into a debate about whether or not Jake Gyllenhaal is actually a good actor — but I found them both to be pretty magnetic and appealingly odd. Neither really melt into a role and both have a way of throwing things off-kilter. So, they need the right movies for their talent.

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