I’m reposting this movie calendar, since a lot of the release dates have shifted over the past couple of months. The blockbusters and big-budget pictures have been delayed, but many independent films are having digital premieres. I’m hoping to catch with some of them over the next few weeks . . .
In the meantime, here’s my ongoing list of 2020 movies written or directed by women. These are mostly narrative films, but I’ve thrown in some documentaries, too. I’ve included specific dates when available, and some color-coding to help make sense of all the postponements and streaming changes due to quarantine.
RED = postponed or unknown (to me) release date
GREEN = originated in and/or intended for theaters, now available VOD
PURPLE = originating on streaming subscription platforms
Last updated: 6/2/20
Continue reading “UPDATE: 2020 Movies Directed or Written by Women”
This is a ongoing list of 2020 movies written or directed by women, mostly narrative films, but I’ve thrown in some documentaries, too. I’ve included specific dates when available, but as you’ll see, there are many movies at the bottom of my list that are slated for 2020 but don’t yet have release dates. I’m sure I’ve missed some titles, so if you have any suggestions, please leave a comment.
Last updated: 4/23/20, I added color coding to help me make sense of all the postponements and streaming changes due to quarantine.
RED = postponed or unknown (to me) release date
GREEN = premiering on video on demand and drive-in theaters
BLUE = originated in theaters, now streaming or will soon stream on paid platforms
PURPLE = originated on streaming subscription platforms
It may be that in a few weeks this color-coding will be obsolete because everything will just have a new streaming release date. Or it could be that I’ll have to have a new color for movies that are postponed but will be released in theaters in the fall.
Continue reading “2020 Movies Directed or Written by Women”
Some nights, you’re in the mood for a movie but not something that’s heavy. But you don’t want to watch TV because you want something that ends. Preferably in two hours. Something that won’t insult your insult your intelligence, and might possibly cheer you up. Because it’s been a hard news week. (It’s always a hard news week.)
Enter Set It Up, a Netflix original movie that Netflix has probably already recommended to you if you watch sitcoms on its platform. I’m here to second that recommendation. It’s not a great movie, but it’s a fun, romantic comedy that is very happy to be one. The conventions are all in place: it takes place in New York City, and our star-crossed lovers work for vague, unnamed media companies. The girl, Harper, works as a Girl Friday for the editor of a sports news website. The guy, Charlie, also works as a personal secretary for, hmm, I can’t remember what his boss does. It doesn’t matter! This movie is not making any important observations about the modern day workplace and that’s okay. Continue reading “Set It Up”
Outside In opens with the camera looking down on an ex-con, Chris, heading home for the first time in twenty years. Chris (Jay Duplass) sits in the back of a rain-spattered car window, eating a french fry with a dreamy look in his eyes. It’s probably the best thing he’s eaten in a long time. He will soon be delivered to a room filled with people awaiting his return. But there’s only one person he really wants to see: Carol, his old high school teacher, the person who fought hardest for his early release.
Carol is played by Edie Falco, and from the moment we first see her, she radiates goodness, intelligence, longing, and confusion. She’s in as much of a transitional period as Chris. She’s devoted years of her life to disputing Chris’s conviction, and in doing so, has discovered new reserves of intellectual and spiritual energy. She’s also become very close to her former student. She might be in love with him; he’s definitely in love with her. But she’s married, with a teenage daughter. And she’s still teaching at the high school where she first met Chris as an 18-year-old boy. So things are complicated. Continue reading “Review: Outside In”
Here’s a simple list gleaned from a huge one at New York Magazine that ranks all the Netflix Original films. From that compilation, I picked out ten films directed by women. I made this list for myself, so that I would have a go-to group of Netflix movies instead of getting overwhelmed by the selection on the screen. Most of them I haven’t yet seen, though the two that I have—Mudbound and On Body and Soul—were so good that I’m very excited to dig in. Continue reading “10 Netflix Original Movies That Are Directed by Women”
The fishermen never had a chance. Once they saw the beautiful faces of Golden and Silver, two young mermaids swimming in the bay, they were goners.
“Help us come ashore, we won’t eat you!”
First rule of fairy tales: If someone says they won’t eat you, it means they’ve thought about eating you, and they won’t be able to stop thinking about it until they’ve eaten you.
Continue reading “Hooked by The Lure”
I got the dreaded flu. For a few days I was so sick that even watching TV was tiring. All I could do was read. (Not the worst fate.) When I finally felt ready for movies, I wanted ones that would be easy to watch, i.e. straightforward, and possibly uplifting—and woman-directed, of course. I chose two movies from last year: Megan Leavey (Gabriela Cowperthwaite) and Paris Can Wait (Eleanor Coppola).
I had high hopes for Megan Leavey, for several reasons: 1) I’m a cat person with a soft spot for dog stories; 2) I’m interested in stories about women in the military; and 3) I sobbed my way through the trailer. Continue reading “Flu Flix”