Documentary Review: In the Same Breath

In the Same Breath (2021)
Director: Nanfu Wang

As Omicron descends, this is the documentary to watch–or avoid–depending on your temperament. Director Nanfu Wang takes viewers back to the earliest days of the pandemic, opening with eerie footage of New Year’s Eve celebrations in Wuhan, where thousands of revelers, some of them likely already infected with Covid-19, mingled in close quarters, sang, cheered, danced, and generally did everything we’ve been avoiding for the past two years. Wang herself was there, celebrating with her family. On New Year’s Day, a stray news item caught Wang’s attention: eight people were punished for “spreading rumors” about a new form of pneumonia that had emerged in local hospitals. The punishment was the headline, not the pneumonia, and it wasn’t a big story. No one gave it much thought, even Wang, who was preoccupied with her return to the U.S. where she is a naturalized citizen. It was only in retrospect that she realized she had witnessed the Chinese government’s early response to the threat of Covid-19. Her documentary takes a close look at the Chinese government’s failure to communicate the dangers of Covid-19 to its citizens and to the world, and compares it with America’s response, three months later, which was dispiritingly similar, with political leaders downplaying the virus until the very last minute.

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Review: Bully. Coward. Victim. The Roy Cohn Story

bully coward victim

Bully. Coward. Victim. The Roy Cohn Story (2020) ★★★
Director: Ivy Meeropol
Streaming on HBO

The first time I heard of Roy Cohn was when I read Angels in America. He’s the play’s villain, lifted from real life, a ruthless fixer and corrupt lawyer who denies that he is gay but then uses his influence to obtain experimental treatments for HIV in order to prolong his life. Abusing power was Cohn’s thing: he started his career by tampering with evidence so that the Ethel and Julius Rosenberg would be sent to the electric chair for espionage. After the Rosenberg were executed, their children were adopted by the Meeropol family. Director Ivy Meeropol is the granddaughter of the Rosenbergs, and she is understandably interested in Cohn, this person who destroyed her family in order to show the world that he was tough on communism — and to gain personal notoriety.

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