I have friends who cried their way through Greta Gerwig’s Little Women, and I expected that I would, too, but I spent much of my first viewing in a state of mild agitation. I had re-read the novel a few days before seeing the film, and was distracted as I tried to figure out the mechanics of Gerwig’s complex temporal structure. Little Women was originally published as two books: Little Women and Good Wives, and Gerwig braids together these two volumes, going back and forth between past and present. As with Gerwig’s debut feature Lady Bird, the pace is galloping. Not only are there two separate timelines, Gerwig cuts rapidly between characters and locations within each timeline.
Read the rest over at The Common . . .
I trust everyone knows that December will bring us Greta Gerwig’s version of Little Women. But there are four more women-directed movies coming our way next month:
Litte Joe Writer & Dir. Jessica Hausner – December 6
A Million Little Pieces Dir. Sam Taylor-Johnson – December 6
Portrait of a Lady on Fire Writer & Dir. Céline Sciamma – December 6
Clemency Writer & Dir. Chinonye Chukwu – December 27
Little Women Writer & Dir. Greta Gerwig – December 25
Trailers after the jump . . .
Continue reading “December Trailers Round Up”
I decided to catch up with 1994’s Little Women as a way of preparing for Greta Gerwig’s forthcoming version. I saw it in the theaters when I was a teenager, but I’m sorry to say that it didn’t make much of an impression on me. The only reason I know I saw it is that my older sister, who remembers everything, tells me we went to see it in the theater with our mother.
I was 16 in 1994, which my mother probably saw as just the right age for a period romance. But it had to compete with the other movies burning into my adolescent cortex, a list that includes Pulp Fiction, Forrest Gump, Four Weddings and a Funeral, Reality Bites, The Mask, Priscilla Queen of the Desert, and Brad Pitt in Legends of the Fall.
Poor Little Women didn’t stand a chance.
Continue reading “Retro Watch: 1994’s Little Women”