Pieces of a Woman (2020) Director: Kornél Mundruczó Writer: Kata Wéber
For the first half-hour of Netflix’s “Pieces of a Woman,” my husband and I were nervous wrecks, sitting on the sofa in our living room. It was the opposite of “Netflix and chill,” more like “Netflix and re-live traumatic experiences.” During the movie’s extended prologue, Vanessa Kirby and Shia LeBeouf play Martha and Sean, a young couple in the midst of a home birth, with Kirby convincingly going through labor, not just the terrified/ecstatic screams we’re used to seeing dramatized on screen, but the uncertain and confusing middle stages of labor, when unexpected physical sensations and emotions begin to arise. The entire birth sequence is shot in one unbroken take, which heightens the feeling of intimacy and vulnerability, especially as things begin to go wrong.
Crip Camp: A Disability Revolution (2020) ★★★1/2
Directed by James Lebrecht and Nicole Newnham Streaming on Netflix
Crip Camp is a Netflix film, produced by Barack and Michelle Obama, but I had the unusual experience of seeing it on the big screen a few weeks ago for a press screening. I say unusual not only because this is a documentary that most people will watch at home but because I ventured out to see it when people were just starting to feel nervous about Coronavirus. I wasn’t even sure I should go, but at that time, my kids were still in school, my husband was still going into to work and out to evening events and except for everyone washing their hands a lot, things were relatively normal. It’s eerie how quickly things have changed.
Anyway, I went into the screening feeling anxious and scatterbrained but left feeling centered and full of hope. Crip Camp tells the story of the disability rights movement, which was seeded at a teen summer camp called Camp Jened. The camp itself, located in upstate New York near Woodstock, was ordinary and in terms of its offerings. There was a pool, arts and crafts, sports, and music. The usual. What made it extraordinary was that every kid who went was disabled, which meant that a bunch of teenagers who were used to being pushed to the side were suddenly front and center. For the first time in their lives, the kids experienced what it was like to be among people who were not put off or scared by their disabilities, and who saw them in terms of their personalities, interests, and dreams. It was so freeing that for many of the campers, it was a political awakening. As one camper puts it, there was a realization that “the problem with the disabled isn’t with the disabled, it’s with the outside world.”
Emma (2020) ★★★1/2
Directed by Autumn de Wilde
Written by Eleanor Catton, based on the novel by Jane Austen
I saw this a couple of nights ago and it was pure delight. My only regret is that I went to see it by myself and not with my husband or with a friend. I left it in a cheery mood, buoyed by the playful costumes, bucolic scenery, intelligent dialogue, and of course, the romantic ending when everyone is happily paired up — except, maybe, for Jane Fairfax. I felt bad for her, and I don’t remember her character from previous versions of Emma, though I must confess that I have never read Emma, so I don’t know if she is from the book or not.
This movie was a like canned rosé wine: light, great for a picnic, and not very complex. You could do something else while you watch this movie — like get play cards and gossip with friends — and not miss much of anything. I really enjoyed it even as I can’t vouch for its quality.
Director: Marielle Heller Writers: Nicole Holofcener and Jeff Whitty
This has to be one of the best movies about writing that I’ve seen, one shows, in a realistic way, the difficulty of making a living as a writer, and the special cruelty of the New York publishing world. Based on Lee Israel’s memoir of the same title, it’s about a down-on-her-luck biographer (Melissa McCarthy) who turns to literary forgery as a way to pay her bills. Israel, who died in 2014, found plenty of work as a journalist and author in the 1970s and 80s, but had a dry spell after her biography of Estee Lauder was panned by critics and sold poorly. Can You Ever Forgive Me? takes place in the early 1990s, when Lee begins to forge letters by famous writers like Dorothy Parker and Noel Coward to sell to collectors. Continue reading “Review: Can You Ever Forgive Me?”→