I’m reposting this movie calendar, since a lot of the release dates have shifted over the past couple of months. The blockbusters and big-budget pictures have been delayed, but many independent films are having digital premieres. I’m hoping to catch with some of them over the next few weeks . . .
In the meantime, here’s my ongoing list of 2020 movies written or directed by women. These are mostly narrative films, but I’ve thrown in some documentaries, too. I’ve included specific dates when available, and some color-coding to help make sense of all the postponements and streaming changes due to quarantine.
RED = postponed or unknown (to me) release date
GREEN = originated in and/or intended for theaters, now available VOD
PURPLE = originating on streaming subscription platforms
Last updated: 6/2/20
Continue reading “UPDATE: 2020 Movies Directed or Written by Women”
I’m having a lot of trouble adjusting to this new reality of Coronavirus. It feels both like I just had my first baby and also, like I’m a teenager, stuck in the house and beholden to my parents. Except I have none of the transformative and energy-giving hormones of new motherhood or the teen years. So I’m just like WHAT IS HAPPENING over and over again. My son’s school and extra-curricular clubs keep sending links to “learning platforms,” and every wellness service I have ever subscribed to, whether it’s the Y (which is now closed) or the mushroom coffee I occasionally splurge on, is inviting me to view videos or join informational zoom hang-outs and I’m like, is this for you, or is it for me? Be honest!
Continue reading “The New Reality of Movie(not)going”
I recently updated my list of 2020 movies written and directed by women and wanted to highlight this month’s selections because it ended up included a long list of movies premiering at South By Southwest.
Of the March releases, I have already seen First Cow — my review will be posted in a few days at The Common — and have plan to see Crip Camp next week. I’m also hoping to see Never, Rarely, Sometimes, Often, a movie about two teenage girls traveling in order to get an abortion, and my seven-year-old son is super-excited for the live-action Mulan, so I know I’ll be going to that, too.
Click through for a full list of March movies written or directed by women . . .
Continue reading “March Movies”
Emma (2020) ★★★1/2
Directed by Autumn de Wilde
Written by Eleanor Catton, based on the novel by Jane Austen
I saw this a couple of nights ago and it was pure delight. My only regret is that I went to see it by myself and not with my husband or with a friend. I left it in a cheery mood, buoyed by the playful costumes, bucolic scenery, intelligent dialogue, and of course, the romantic ending when everyone is happily paired up — except, maybe, for Jane Fairfax. I felt bad for her, and I don’t remember her character from previous versions of Emma, though I must confess that I have never read Emma, so I don’t know if she is from the book or not.
Continue reading “Review: Emma.”
The Assistant (2019) ★★★★
Written & Directed by Kitty Green
When I wrote the heading for this review I thought to myself wow, am I really giving this movie four stars? It’s the unusual instance when using a star rating system is clarifying rather than frustrating, because my reasons for rating it as less than four stars were entirely superficial. In terms of its production, The Assistant it is a “small” movie, but in terms of its themes and emotional impact, it’s huge. It takes place over a short time period — one day — and involves only a handful of people in a few rooms, with its focus on Jane (Julia Garner), a junior assistant to a film producer. Very little happens and there is hardly any dialogue; there’s only one passage in the film in which two characters engage in extended back-and-forth discussion. All other verbal communication is limited to short or one-sided phone conversations, emails, and eavesdropping.
Continue reading “Review: The Assistant”
Are you looking for a stunning love story to watch tonight? This is it. I reviewed it for The Common last year when it was in limited release. It goes into wide release this weekend. See it on the big screen with surround sound! You need to hear the waves crashing, the fires crackling, and the music in the final scene.
Last night was a pretty good Oscars for the few women who did get nominated. I’m disappointed — and a little surprised — that Greta Gerwig didn’t win best adapted screenplay, but her costume designer, Jacqueline Durran, did win — a well-deserved win, I thought, because her costumes were so expressive of each character.
As I predicted, ‘Joker’ composer Hildur Guðnadóttir won for her score for Joker –and was the first woman in 20 years to do so. (L.A. Times)
I was really happy that that American Factory won best documentary, which was co-directed by Steven Bognar and Julia Reichert. That was easily one of the best movies I saw last year. The footage they got, especially with factory’s management, was extraordinary.
In the short documentary category, Carol Dysinger won for Learning to Skateboard in a Warzone (If You’re a Girl), which I haven’t seen but am eager to catch up with.
Finally, Barbara Ling and Nancy Haigh won for production design of Once Upon A Time in Hollywood.