December Trailers Round Up

I trust everyone knows that December will bring us Greta Gerwig’s version of Little Women. But there are four more women-directed movies coming our way next month:

Litte Joe  Writer & Dir. Jessica Hausner – December 6
A Million Little Pieces
  Dir. Sam Taylor-Johnson – December 6
Portrait of a Lady on Fire  Writer & Dir. Céline Sciamma – December 6
Clemency
  Writer & Dir. Chinonye Chukwu – December 27
Little Women  Writer & Dir. Greta Gerwig – December 25

Trailers after the jump . . .

Continue reading “December Trailers Round Up”

Watching Harriet Made Me Long for an Adaptation of Octavia Butler’s Kindred

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While watching Kasi Lemmons’s new biopic about Harriet Tubman, I found myself thinking of the 1979 novel Kindred by Octavia Butler. Kindred is a time-travel story, set in the mid-1970s in Los Angeles. The protagonist, Dana, an African-American writer in her twenties, has fainting spells that cause her travel back in time to antebellum Maryland, where she meets her enslaved ancestors. The first time she is thrown back in time, she finds herself in a situation where a white boy, Rufus, is about to die, and it’s up to her to save him. She does, only to discover that he’s both a distant relative of hers, and the son of a slaveholder. Luckily, she figures out how to get back to present-day L.A. But then, just as suddenly, she’s back in nineteenth-century Maryland.

Every time Dana falls back in time, Rufus is older, while she stays the same age. And every time Dana falls back in time, Rufus is in trouble and Dana always saves him. To Rufus, Dana is his magical property who appears just when he needs her. To Dana, Rufus is a foolish, cruel man that she takes care of only to ensure the survival of her ancestors. All the while she feels psychically caught between worlds; she’s free in her time, but enslaved in Rufus’s. The novel ends when she is finally able to break free of Rufus.

Continue reading “Watching Harriet Made Me Long for an Adaptation of Octavia Butler’s Kindred”

9 Women-Directed Films I Can’t Wait to See in 2019

I just updated my list of 2019 movies that are directed by women, and it gave me a chance to think about what movies to watch over the next few weeks–and also to get excited about what’s ahead for the year. So, here’s a preliminary last. Two of these, High Life and My Zoe are repeats from last year, because they didn’t end up being slated for release until this year–but I am still just as eager to see them. . .

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SWORD OF TRUST    Writer & Director: Lynn Shelton

This is an ensemble comedy, starring Marc Maron, Michaela Watkins, and Jon Bass among others. I like Shelton’s low-key movies, especially when she does comedy. I’m also a fan of Maron and his WTF podcast. So, I’m here for this one. In theaters March 8.

 


HIGH LIFE 
Writer & Director: Claire Denis

This sci-fi movie is French director Claire Denis’s English-language feature film debut. It revolves around a group of prisoners who have been sent into deep space as a way to shorten their sentences. Apparently, Denis has been trying to make this movie since 2002 and wrote the screenplay with Philip Seymour Hoffman in mind. After Hoffman’s death in 2014, Robert Pattison signed on for the lead. I’m intrigued by the premise and the trailer is so creepy I couldn’t finish watching. In theaters April 12.

Continue reading “9 Women-Directed Films I Can’t Wait to See in 2019”

As Usual, Oscar Nominations Include Few Women

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I was struggling to find a photo for this post, so I decided to find a happy one, of a woman directing a movie–Patty Jenkins, with Gal Gadot, on the set of Wonder Woman. 

This was the other image I was considering:

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As usual the Oscar Nominations had only a handful of female nominees. There were only four categories (out of twenty) in which women achieved parity or had the majority of nominations. Many categories did not include any women.

Continue reading “As Usual, Oscar Nominations Include Few Women”

My Favorite Movies Written and Directed by Women in 2018

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This post is long overdue. First I got sucked into a holiday vortex and then all the viruses came to roost in our household. The little one would get sick, then the bigger one, then the bigger one, then the little one, then the little one . . . meanwhile, I got some variation of everything. I’ve done a lot of reading but have barely watched any movies. I have, however, had a chance to think back on the movies I saw last year.

If you’ve been following this blog, you know that for the past year I’ve made a special effort to see movies written or directed by women. After the Harvey Weinstein revelations, I felt so sickened by the movie industry that I wanted to change my viewing habits to see more films made by women—not only to support women, but for my own viewing pleasure.

In 2017, before I made any special effort to see women-made films, only 9 of the 28 movies I saw were written or directed by women. This year, I watched 43 movies, a mix of old and new, but mostly new. Of those 43 films, 29 were written or directed by women. So, that’s a big improvement over last year! Still, given that I only saw around 30 movies written or directed by women, it seems a little too easy do a top ten list of film. There’s not a lot of discernment when you’re choosing the top third. Instead, I’ve decided to make two top three lists: Top Three Films Directed by Women, and Top Three Films Written by Women.

As I was putting together these lists, I asked myself how much they would differ from a top three list of all movies, regardless of gender, and I will admit that First Reformed, Roma, and Sorry To Bother You might have edged out some of the films on these lists. But, these films would definitely make any of my top ten lists—and that’s one of the reasons I limited myself to three films. One last caveat: I never got to see Happy As Lazzarro, Zama, and Let the Sunshine In, and judging from the critical response, these were great films that might have also made the list.

Continue reading “My Favorite Movies Written and Directed by Women in 2018”

Review: Can You Ever Forgive Me?

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Director: Marielle Heller
Writers: Nicole Holofcener and Jeff Whitty

This has to be one of the best movies about writing that I’ve seen, one shows, in a realistic way, the difficulty of making a living as a writer, and the special cruelty of the New York publishing world. Based on Lee Israel’s memoir of the same title, it’s about a down-on-her-luck biographer (Melissa McCarthy) who turns to literary forgery as a way to pay her bills. Israel, who died in 2014, found plenty of work as a journalist and author in the 1970s and 80s, but had a dry spell after her biography of Estee Lauder was panned by critics and sold poorly. Can You Ever Forgive Me? takes place in the early 1990s, when Lee begins to forge letters by famous writers like Dorothy Parker and Noel Coward to sell to collectors. Continue reading “Review: Can You Ever Forgive Me?”

Set It Up

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Some nights, you’re in the mood for a movie but not something that’s heavy. But you don’t want to watch TV because you want something that ends. Preferably in two hours. Something that won’t insult your insult your intelligence, and might possibly cheer you up. Because it’s been a hard news week. (It’s always a hard news week.)

Enter Set It Up, Netflix original movie that Netflix has probably already recommended to you if you watch sitcoms on its platform. I’m here to second that recommendation. It’s not a great movie, but it’s a fun, romantic comedy that is very happy to be one. The conventions are all in place: it takes place in New York City, and our star-crossed lovers work for vague, unnamed media companies.  The girl, Harper, works as a Girl Friday for the editor of a sports news website. The guy, Charlie, also works as a personal secretary for, hmm, I can’t remember what his boss does. It doesn’t matter! This movie is not making any important observations about the modern day workplace and that’s okay. Continue reading “Set It Up”