Director: Marielle Heller
Writers: Nicole Holofcener and Jeff Whitty
This has to be one of the best movies about writing that I’ve seen, one shows, in a realistic way, the difficulty of making a living as a writer, and the special cruelty of the New York publishing world. Based on Lee Israel’s memoir of the same title, it’s about a down-on-her-luck biographer (Melissa McCarthy) who turns to literary forgery as a way to pay her bills. Israel, who died in 2014, found plenty of work as a journalist and author in the 1970s and 80s, but had a dry spell after her biography of Estee Lauder was panned by critics and sold poorly. Can You Ever Forgive Me? takes place in the early 1990s, when Lee begins to forge letters by famous writers like Dorothy Parker and Noel Coward to sell to collectors. Continue reading “Review: Can You Ever Forgive Me?”
Some nights, you’re in the mood for a movie but not something that’s heavy. But you don’t want to watch TV because you want something that ends. Preferably in two hours. Something that won’t insult your insult your intelligence, and might possibly cheer you up. Because it’s been a hard news week. (It’s always a hard news week.)
Enter Set It Up, a Netflix original movie that Netflix has probably already recommended to you if you watch sitcoms on its platform. I’m here to second that recommendation. It’s not a great movie, but it’s a fun, romantic comedy that is very happy to be one. The conventions are all in place: it takes place in New York City, and our star-crossed lovers work for vague, unnamed media companies. The girl, Harper, works as a Girl Friday for the editor of a sports news website. The guy, Charlie, also works as a personal secretary for, hmm, I can’t remember what his boss does. It doesn’t matter! This movie is not making any important observations about the modern day workplace and that’s okay. Continue reading “Set It Up”
Here’s a simple list gleaned from a huge one at New York Magazine that ranks all the Netflix Original films. From that compilation, I picked out ten films directed by women. I made this list for myself, so that I would have a go-to group of Netflix movies instead of getting overwhelmed by the selection on the screen. Most of them I haven’t yet seen, though the two that I have—Mudbound and On Body and Soul—were so good that I’m very excited to dig in. Continue reading “10 Netflix Original Movies That Are Directed by Women”
The fishermen never had a chance. Once they saw the beautiful faces of Golden and Silver, two young mermaids swimming in the bay, they were goners.
“Help us come ashore, we won’t eat you!”
First rule of fairy tales: If someone says they won’t eat you, it means they’ve thought about eating you, and they won’t be able to stop thinking about it until they’ve eaten you.
Continue reading “Hooked by The Lure”
I got the dreaded flu. For a few days I was so sick that even watching TV was tiring. All I could do was read. (Not the worst fate.) When I finally felt ready for movies, I wanted ones that would be easy to watch, i.e. straightforward, and possibly uplifting—and woman-directed, of course. I chose two movies from last year: Megan Leavey (Gabriela Cowperthwaite) and Paris Can Wait (Eleanor Coppola).
I had high hopes for Megan Leavey, for several reasons: 1) I’m a cat person with a soft spot for dog stories; 2) I’m interested in stories about women in the military; and 3) I sobbed my way through the trailer. Continue reading “Flu Flix”