Last night was a pretty good Oscars for the few women who did get nominated. I’m disappointed — and a little surprised — that Greta Gerwig didn’t win best adapted screenplay, but her costume designer, Jacqueline Durran, did win — a well-deserved win, I thought, because her costumes were so expressive of each character.
As I predicted, ‘Joker’ composer Hildur Guðnadóttir won for her score for Joker –and was the first woman in 20 years to do so. (L.A. Times)
I was really happy that that American Factory won best documentary, which was co-directed by Steven Bognar and Julia Reichert. That was easily one of the best movies I saw last year. The footage they got, especially with factory’s management, was extraordinary.
In the short documentary category, Carol Dysinger won for Learning to Skateboard in a Warzone (If You’re a Girl), which I haven’t seen but am eager to catch up with.
Finally, Barbara Ling and Nancy Haigh won for production design of Once Upon A Time in Hollywood.
There’s been a lot of talk about who didn’t get nominated for the Oscars and should have, and while I’m as disappointed as anyone that Greta Gerwig didn’t get a director nod, she did get nominated for best adapted screenplay, and her costume designer, Jacqueline Durran, was nominated as well. So those are two women that I’m rooting for. (In fact I wrote a review that is pretty much an argument for why Gerwig should win for best adaptation.)
Looking over the other nominations, I noticed the usual gender breakdown, with a lot of women in the art department, but hardly any in the cinematography, special effects, and editing categories — though I was happy to see that this blog’s namesake, Thelma Schoonmaker, was nominated for editing The Irishman.
Here are some other women to watch for this weekend. This isn’t a comprehensive list of all the female nominees (though it’s close), just the nominees whose work I am familiar with from the past year in movies . . .
Continue reading “The Women Who Did Get Nominated for Oscars”
I spent most of last month trying to finish up a revision of my novel but as usual was waylaid by winter colds and family issues. (As I write this, my son is home sick for the second day in a row.) In the meantime, I caught up with some movies from 2019 that I missed. Here are some quick reviews:
Wild Rose (2019) ★★★1/2
Directed by Tom Harper
Written by Nicole Taylor
At first I was a little underwhelmed by this movie, but the music and the writing won me over. The story is more complex than it at first seems and I really fell in love with Jessie Buckley’s voice, especially her rendition of “Peace In This House.”
Continue reading “January Movie Diary”
I have friends who cried their way through Greta Gerwig’s Little Women, and I expected that I would, too, but I spent much of my first viewing in a state of mild agitation. I had re-read the novel a few days before seeing the film, and was distracted as I tried to figure out the mechanics of Gerwig’s complex temporal structure. Little Women was originally published as two books: Little Women and Good Wives, and Gerwig braids together these two volumes, going back and forth between past and present. As with Gerwig’s debut feature Lady Bird, the pace is galloping. Not only are there two separate timelines, Gerwig cuts rapidly between characters and locations within each timeline.
Read the rest over at The Common . . .