I don’t have to tell you, the news is bad. Public school is crumbing, the polar bears are going extinct, and my brain is melting from the heat and the constant interruptions from my children and WFH husband. Also my computer died. And our car broke down. I got my novel back from my agent and I have a lot of revisions. I knew I would have to revise and under normal circumstances, I’d be rubbing my hands together. But now I’m just like, how? When? In what universe? Is anyone even reading books anyway? (Actually, I am! Shout out to reading! It’s a great escape.)
For all these reasons and many more, I’ve been wanting to watch movies with a little sweetness to them, and preferably a happy ending. So, here are some of my favorites from the past few weeks. I included star ratings to temper expectations: most are in the 2-3 range and it’s possible that I overrated a few of them just because I need something light-hearted. The point is, I’m not making any grand claims for their quality. But they might distract you from the news for 90 minutes, and give you a good night’s sleep without any nightmares.
Continue reading “Four Feel-good Movies Made by Women”
When I was working on my most recent update of 2018’s women-directed films, I noticed a small trend: Netflix acquired a lot of the best women-directed movies and documentaries from film festivals, and they’ve also financed a number of women-directed movies. Netflix has such varied offerings that it’s a little difficult to come up with definitive stats, but just eyeballing it, they seem to have an unusually high percentage of female-directed and/or written movies on offer, including well-established directors like Nicole Holofcenter and Tamara Jenkins. Finally, Netflix has already been getting a lot of press for their recent efforts to bring back the rom-com, but I’m not sure anyone has noted that almost half of these movies are directed or written by women: Set It Up, Sierra Burgess Is a Loser, To All The Boys I’ve Loved Before, Nappily Ever After, and Us and Them.
Here’s a complete list of upcoming films. I’m especially excited about the ‘coming soon’ section, which contains a couple of film festival acquisitions, including The Kindergarten Teacher, a remake of an Israeli film, starring Maggie Gyllenhaal, and Proustian-sounding documentary, Shirkers, about a writer who recovers film from a movie she shot in 1992.
Continue reading “Trending on Netflix: Female Filmmakers”