Catching Up: Extended Summer Edition

I’ve been neglectful of this blog because I finished a very rough draft of a novel and that took all my time for a few weeks. (Also, I’ve been freaking out about the climate crisis but that’s a post for another day–btw yesterday we set a heat record in NYC when it was 93 DEGREES.)  Amidst the artistic and existential meltdowns, I did manage to watch three new woman-directed movies:

hustlers

Hustlers
Writer and Director: Lorene Scafaria

To celebrate finishing a draft, Mike and I went out to see Hustlers at the Alamo Draft House. Although I’ve been aware of this movie since earlier this year, it was never at the top of my list. I just didn’t think I’d be that interested in a Robin Hood story about strippers and Wall Street guys, even if it was from the perspective of the women. But then it got such great reviews and everyone was going nuts about J. Lo, saying that she was as good as she was in Out of Sight. So I went, I ordered a margarita, and . . . 

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Movie Diary: May – July

I’ve been working on a novel so I haven’t had as much time for reviewing, but I have been watching. Here’s a quick round up of what I’ve seen over the past few months . . .

knock down

KNOCK DOWN THE HOUSE
Director: Rachel Lears

I decided to watch this on Monday night in solidarity for AOC, who had deal with Trump tweeting racist comments at her all weekend. When it was over I felt like Trump’s tweets can’t even touch her, she’s too powerful, too gifted. She just doesn’t take the bait. I believe her response to Trump was something like, “he’s attacking me personally because he can’t defend his policies.” It’s incredible to see such clarity in someone so young. In this documentary, you meet AOC when she is just beginning her campaign, and even then, she has the ability to communicate in an authentic way very quickly and off the cuff.

I feel bad because I’m not mentioning the other women in this film, who also ran for Congress: Cori Bush, Paula Jean Swearengin, and Amy Vilela. They were all in equally difficult races, and unfortunately, they did not win, but seemed poised to unseat someone if they try again. I highly recommend this one for when you’re feeling discouraged by the Trump administration or if you just need to have a good cry.

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Is She Really Going Out With Him?

the souvenir

The Souvenir, British director Joanna Hogg’s fourth feature film, is the first part of a two-part memory piece that focuses on a love affair that took place in Hogg’s early twenties, when she was in film school in London. Though not quite a memoir, the film is unabashedly autobiographical, and similar to Alfonso Cuaron’s recent Roma in how it seeks to reconstruct a particular period in the director’s life. To play a version of herself, a young woman called Julie, Hogg has cast Honor Swinton Byrne, a newcomer who at this point in her life is best known as Tilda Swinton’s daughter—though her performance in The Souvenir and next year’s sequel will likely change that. Swinton herself plays Julie’s mother, Rosalind, tamping down her usual charisma to embody a meek matron who rarely exerts her influence or reveals her knowledge of the world. It’s startling to see Swinton this way, especially with Byrne nearby, exuding youth and curiosity. With her height and her red hair, Byrne looks enough like Swinton to bring to mind her mother’s glamour, but also has a calm dreaminess that it is all her own.

Read the rest over at The Common . . . 

My Favorite Movies Written and Directed by Women in 2018

thelma_alice_2018_collage

This post is long overdue. First I got sucked into a holiday vortex and then all the viruses came to roost in our household. The little one would get sick, then the bigger one, then the bigger one, then the little one, then the little one . . . meanwhile, I got some variation of everything. I’ve done a lot of reading but have barely watched any movies. I have, however, had a chance to think back on the movies I saw last year.

If you’ve been following this blog, you know that for the past year I’ve made a special effort to see movies written or directed by women. After the Harvey Weinstein revelations, I felt so sickened by the movie industry that I wanted to change my viewing habits to see more films made by women—not only to support women, but for my own viewing pleasure.

In 2017, before I made any special effort to see women-made films, only 9 of the 28 movies I saw were written or directed by women. This year, I watched 43 movies, a mix of old and new, but mostly new. Of those 43 films, 29 were written or directed by women. So, that’s a big improvement over last year! Still, given that I only saw around 30 movies written or directed by women, it seems a little too easy do a top ten list of film. There’s not a lot of discernment when you’re choosing the top third. Instead, I’ve decided to make two top three lists: Top Three Films Directed by Women, and Top Three Films Written by Women.

As I was putting together these lists, I asked myself how much they would differ from a top three list of all movies, regardless of gender, and I will admit that First Reformed, Roma, and Sorry To Bother You might have edged out some of the films on these lists. But, these films would definitely make any of my top ten lists—and that’s one of the reasons I limited myself to three films. One last caveat: I never got to see Happy As Lazzarro, Zama, and Let the Sunshine In, and judging from the critical response, these were great films that might have also made the list.

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Trending on Netflix: Female Filmmakers

When I was working on my most recent update of 2018’s women-directed films, I noticed a small trend: Netflix acquired a lot of the best women-directed movies and documentaries from film festivals, and they’ve also financed a number of women-directed movies. Netflix has such varied offerings that it’s a little difficult to come up with definitive stats, but just eyeballing it, they seem to have an unusually high percentage of female-directed and/or written movies on offer, including well-established directors like Nicole Holofcenter and Tamara Jenkins. Finally, Netflix has already been getting a lot of press for their recent efforts to bring back the rom-com, but I’m not sure anyone has noted that almost half of these movies are directed or written by women: Set It Up, Sierra Burgess Is a Loser, To All The Boys I’ve Loved Before, Nappily Ever After, and Us and Them.

Here’s a complete list of upcoming films. I’m especially excited about the ‘coming soon’ section, which contains a couple of film festival acquisitions, including The Kindergarten Teacher, a remake of an Israeli film, starring Maggie Gyllenhaal, and Proustian-sounding documentary, Shirkers, about a writer who recovers film from a movie she shot in 1992.

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Update: 2018 Movies Directed or Written by Women

Hi, I’m back from summer break! I thought now would be a good time to revisit my master list of 2018 movies directed and/or written by women. I’ve been updating it all year, but I’m reposting now because a lot of the women-directed films that premiered during winter and spring film festivals have been slated for release this fall. I’ve also added a new section at the bottom, “2019 Preview” which includes some of the women-directed films premiering early next year. I’ll post a more expansive 2019 Preview at the end of the year, and I’ll still continue to update this 2018 list over the next few months.

As with the previous post, I’m sure this list is missing some titles. If you know of any I’ve missed, please leave a comment or email me. I’ve focused mostly on narrative films, but I threw in a few documentaries that were of personal interest to me.

(Last updated 12/04/18)

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Catching Up

So, we’re almost halfway through the year and, looking back on the past six months,  I haven’t seen quite as many female-directed as I’d hoped, but I’ve seen many more than I saw last year. I’m looking forward to catching up with a lot of movies this summer, especially those available on streaming services since I’m not big on summer blockbuster fare. If, like me, you’re looking for something to watch, please check out my list of 2018 Films Directed or Written by Women because I’ve been doing my best to keep it up to date.

There were a handful of female-directed/written movies that I saw this spring that I didn’t have a chance to review, so I’m going to do a little round-up here of four films: On Body And Soul, Becks, The Party, and The PostContinue reading “Catching Up”