November Trailers Round-Up

There are a bunch of new movies coming out in November that are either written or directed by women–and they all look good to me. I’m going to try to see all of them, and since two will be available online, I think it’s do-able. A couple of them seem poised to do very well at the box office, as well as at the Oscars.

Here’s a complete list, with release dates:

Harriet   Dir. Kasi Lemmons – November 1 
Honey Boy  Dir. Alma Har’el – November 8 
Last Christmas WritersBryonny Kimmings and Emma Thompson – November 8
Charlie’s Angels Dir. & Writer: Elizabeth Banks – November 15 
A Beautiful Day In The Neighborhood  Dir. Marielle Heller – Nov 22
Frozen 2   Co-Dir. Jennifer Lee, Writers: Jennifer Lee & Alison Schroeder – November 22
Queen & Slim  Dir. Melina Matsoukas, Writer: Lena Waithe – November 27 (Netflix Film)
Atlantics Dir. & Writer: Mati Diop – November 29 (Netflix Film)

Trailers after the jump . . . Continue reading “November Trailers Round-Up”

Geena Davis’s Documentary Explains How Hollywood Fails Women Filmmakers

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This Changes Everything
Directed by Tom Donahue

This straightforward documentary tries to answer the questions that kicked off my blog: 1) Why are there so few female directors? 2) What can we do to change that? Produced by Geena Davis’s Institute on Gender in Media, this in an activist work that concludes with a call to action for unions, studios, and individuals. For moviegoers, the challenge is to support female filmmakers by making sure that half the films you watch are either directed or written by women.

As someone who has been doing this for almost two years, I can tell you that it takes planning and deliberation to ensure that 50% of the movies you watch are made by women. You will have to seek them out, because they aren’t show in as many theaters as movies directed by men—and that’s one of the big reasons that women don’t advance in their directing careers. Their first films don’t receive as much publicity or distribution and then they don’t have a big box office. This makes it more difficult to secure financing for the second film or to be considered for studio jobs. Talent agencies are then less likely to promote female filmmakers. And so the vicious cycle goes.

Continue reading “Geena Davis’s Documentary Explains How Hollywood Fails Women Filmmakers”

Movie Diary: May – July

I’ve been working on a novel so I haven’t had as much time for reviewing, but I have been watching. Here’s a quick round up of what I’ve seen over the past few months . . .

knock down

KNOCK DOWN THE HOUSE
Director: Rachel Lears

I decided to watch this on Monday night in solidarity for AOC, who had deal with Trump tweeting racist comments at her all weekend. When it was over I felt like Trump’s tweets can’t even touch her, she’s too powerful, too gifted. She just doesn’t take the bait. I believe her response to Trump was something like, “he’s attacking me personally because he can’t defend his policies.” It’s incredible to see such clarity in someone so young. In this documentary, you meet AOC when she is just beginning her campaign, and even then, she has the ability to communicate in an authentic way very quickly and off the cuff.

I feel bad because I’m not mentioning the other women in this film, who also ran for Congress: Cori Bush, Paula Jean Swearengin, and Amy Vilela. They were all in equally difficult races, and unfortunately, they did not win, but seemed poised to unseat someone if they try again. I highly recommend this one for when you’re feeling discouraged by the Trump administration or if you just need to have a good cry.

Continue reading “Movie Diary: May – July”

Is She Really Going Out With Him?

the souvenir

The Souvenir, British director Joanna Hogg’s fourth feature film, is the first part of a two-part memory piece that focuses on a love affair that took place in Hogg’s early twenties, when she was in film school in London. Though not quite a memoir, the film is unabashedly autobiographical, and similar to Alfonso Cuaron’s recent Roma in how it seeks to reconstruct a particular period in the director’s life. To play a version of herself, a young woman called Julie, Hogg has cast Honor Swinton Byrne, a newcomer who at this point in her life is best known as Tilda Swinton’s daughter—though her performance in The Souvenir and next year’s sequel will likely change that. Swinton herself plays Julie’s mother, Rosalind, tamping down her usual charisma to embody a meek matron who rarely exerts her influence or reveals her knowledge of the world. It’s startling to see Swinton this way, especially with Byrne nearby, exuding youth and curiosity. With her height and her red hair, Byrne looks enough like Swinton to bring to mind her mother’s glamour, but also has a calm dreaminess that it is all her own.

Read the rest over at The Common . . . 

9 Women-Directed Films I Can’t Wait to See in 2019

I just updated my list of 2019 movies that are directed by women, and it gave me a chance to think about what movies to watch over the next few weeks–and also to get excited about what’s ahead for the year. So, here’s a preliminary last. Two of these, High Life and My Zoe are repeats from last year, because they didn’t end up being slated for release until this year–but I am still just as eager to see them. . .

sword

SWORD OF TRUST    Writer & Director: Lynn Shelton

This is an ensemble comedy, starring Marc Maron, Michaela Watkins, and Jon Bass among others. I like Shelton’s low-key movies, especially when she does comedy. I’m also a fan of Maron and his WTF podcast. So, I’m here for this one. In theaters March 8.

 


HIGH LIFE 
Writer & Director: Claire Denis

This sci-fi movie is French director Claire Denis’s English-language feature film debut. It revolves around a group of prisoners who have been sent into deep space as a way to shorten their sentences. Apparently, Denis has been trying to make this movie since 2002 and wrote the screenplay with Philip Seymour Hoffman in mind. After Hoffman’s death in 2014, Robert Pattison signed on for the lead. I’m intrigued by the premise and the trailer is so creepy I couldn’t finish watching. In theaters April 12.

Continue reading “9 Women-Directed Films I Can’t Wait to See in 2019”

As Usual, Oscar Nominations Include Few Women

wonderwomen

I was struggling to find a photo for this post, so I decided to find a happy one, of a woman directing a movie–Patty Jenkins, with Gal Gadot, on the set of Wonder Woman. 

This was the other image I was considering:

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As usual the Oscar Nominations had only a handful of female nominees. There were only four categories (out of twenty) in which women achieved parity or had the majority of nominations. Many categories did not include any women.

Continue reading “As Usual, Oscar Nominations Include Few Women”

My Favorite Movies Written and Directed by Women in 2018

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This post is long overdue. First I got sucked into a holiday vortex and then all the viruses came to roost in our household. The little one would get sick, then the bigger one, then the bigger one, then the little one, then the little one . . . meanwhile, I got some variation of everything. I’ve done a lot of reading but have barely watched any movies. I have, however, had a chance to think back on the movies I saw last year.

If you’ve been following this blog, you know that for the past year I’ve made a special effort to see movies written or directed by women. After the Harvey Weinstein revelations, I felt so sickened by the movie industry that I wanted to change my viewing habits to see more films made by women—not only to support women, but for my own viewing pleasure.

In 2017, before I made any special effort to see women-made films, only 9 of the 28 movies I saw were written or directed by women. This year, I watched 43 movies, a mix of old and new, but mostly new. Of those 43 films, 29 were written or directed by women. So, that’s a big improvement over last year! Still, given that I only saw around 30 movies written or directed by women, it seems a little too easy do a top ten list of film. There’s not a lot of discernment when you’re choosing the top third. Instead, I’ve decided to make two top three lists: Top Three Films Directed by Women, and Top Three Films Written by Women.

As I was putting together these lists, I asked myself how much they would differ from a top three list of all movies, regardless of gender, and I will admit that First Reformed, Roma, and Sorry To Bother You might have edged out some of the films on these lists. But, these films would definitely make any of my top ten lists—and that’s one of the reasons I limited myself to three films. One last caveat: I never got to see Happy As Lazzarro, Zama, and Let the Sunshine In, and judging from the critical response, these were great films that might have also made the list.

Continue reading “My Favorite Movies Written and Directed by Women in 2018”

Trending on Netflix: Female Filmmakers

When I was working on my most recent update of 2018’s women-directed films, I noticed a small trend: Netflix acquired a lot of the best women-directed movies and documentaries from film festivals, and they’ve also financed a number of women-directed movies. Netflix has such varied offerings that it’s a little difficult to come up with definitive stats, but just eyeballing it, they seem to have an unusually high percentage of female-directed and/or written movies on offer, including well-established directors like Nicole Holofcenter and Tamara Jenkins. Finally, Netflix has already been getting a lot of press for their recent efforts to bring back the rom-com, but I’m not sure anyone has noted that almost half of these movies are directed or written by women: Set It Up, Sierra Burgess Is a Loser, To All The Boys I’ve Loved Before, Nappily Ever After, and Us and Them.

Here’s a complete list of upcoming films. I’m especially excited about the ‘coming soon’ section, which contains a couple of film festival acquisitions, including The Kindergarten Teacher, a remake of an Israeli film, starring Maggie Gyllenhaal, and Proustian-sounding documentary, Shirkers, about a writer who recovers film from a movie she shot in 1992.

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